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Pictured: Ellen Simpson (Choreographer), Steven Kramer (Book, music, Lyrics) & Sheridan Harbridge (Director)
Over two vibrant opening nights at The Hayes Theatre in Potts Point, I was invited to photograph guests as they arrived to celebrate the launch of Phar Lap – the brand new electro-swing musical about Australia’s beloved racehorse with the big heart.
Set against a large Phar Lap banner and the theatre’s red carpet, I photographed a stream of excited theatre-goers, cast members, and supporters as they entered the venue. This kind of photography isn’t my usual genre — I’m more often behind the lens at rehearsals and production shoots — but I really enjoyed the fast-paced, spontaneous interaction with people as they arrived. There’s something energising about these quick moments of connection: a brief exchange, a smile, and a frame that captures the anticipation of opening night.
It was a wonderful experience to be part of the buzz and celebration surrounding this fresh, lively musical that reimagines one of Australia’s most iconic stories.
Happy to hear it has been a SOLD-OUT season at the Hayes Theatre.
I’ve had the pleasure of contributing photography to the current production at the Hayes Theatre, Phar Lap – The Musical. This brand-new Australian work takes inspiration from the legendary racehorse Phar Lap and the mythology that surrounds him, blending history, humour and heart into a sharp, witty and wonderfully entertaining story.
My involvement began back in July with an initial studio shoot designed to create key promotional imagery for the production. During that session, I also captured a series of interviews with the cast, director and writer — offering insight into the creative process and the unique spirit of the show as it took shape.
Pictured: Justin Smith (plays Harry Telford, Joel Granger (plays Phar Lap), Sheridan Harbridge (Director) and Steven Kramer (Writer, music and lyrics)
More recently, I photographed the dress rehearsal, capturing the energy and visual richness of the full production. These images are now being used to further promote the season and highlight the incredible performances and vibrant staging that make this show such a standout.
I loved the music…..Phar Lap boasts an irresistible electro-swing score, with inspirations from Duke Ellington to Daft Punk. Brassy, lively and retro. I was concentrating on the photography, the angles, the action however, I found myself tapping my leg and moving to the beat.
The season is now in full swing at the Hayes, and it’s brilliant — smartly written, beautifully performed, and exceptionally funny. It’s always a thrill to collaborate with the team at Hayes Theatre and to help visually tell the story of a production that so perfectly celebrates Australian talent and storytelling.
Starring Shay Debney, Lincoln Elliott, Joel Granger, Manon Gunderson-Briggs, Amy Hack, Nat Jobe, Joey Phyland and Justin Smith.
Director Sheridan Harbridge Musical Supervisor Steven Kramer Musical Director David Gardos Choreographer Ellen Simpson Associate Director & Stage Manager Daniel Cottier Set Designer Hailley Hunt Costume Designer Mason Browne Lighting Designer Trent Suidgeest Sound Designer Liam Roche Arranger & Orchestrator Jack Earle Orchestrator & Track Producer Steve Toulmin Associate Track Producer Glenn Moorhouse Ableton/Keyboard Programmer David Youings Sound Content Designer Matty James Production Manager Damion Holling Assistant Stage Manager Nathan Sandy Sound Engineer Em-Jay Dwyer Set Design Assistant Adrien Stark Costume Design Assistant Jess Dilworth Musical Director’s Assistant Lauren Shaw Intimacy Coordinator Chloë Dallimore
Pictured: Steven Kramer (Writer of Phar Lap), Justin Smith (Cast of Phar Lap), Joel Granger (Cast of Phar Lap) and Sheridan Harbridge (Director of Phar Lap)
Together with various actors, writers, directors and costumers, I recently hosted a series of photo-shoots at my studio for the Hayes Theatre Company, in preparation for their 2026 season. The sessions involved still photographs of various cast members and video production of the actors and crew, filminging light-hearted, voice-to-camera interviews. We also created some grabs of slow-mo action for future marketing content.
Kayla French (marketing) commits herself to creating content with Joel Granger (Cast of Phar Lap)
Richard Carroll (Artistic Director) checks in with Billie and John (Cast Members)
Billie (Cast) in makeup with Ashleigh Grace (MUA)
Final social media images are captured before stepping on set.
Rica Canillas (Marketing, left) working hard with Kayla French (Marketing, right)
Sam Hernandez (Costuming, left), together with Richard (Director, right) adjust Billie’s costume
While the video cameras rolled, I also took the opportunity to capture some out-takes of the working process with my own camera. There was a vibrant and creative mood on set, with the team from Hayes Theatre Company bringing incredible energy to the studio. Moments like these are a powerful reminder of just how much collaborative effort goes into producing a theatrical season, with the contributions of so many talented individuals coming together behind the scenes.
Sam Hernandez (Wardrobe/Stylist) makes final adjustments to Billie Palin’s costume on set.
Pictured from left: Raphael Wong, Lincoln Elliott & Kala Gare
In June, I worked with the talented cast and crew of Being Alive, a beautifully staged selection of Stephen Sondheim songs at the Hayes Theatre in Sydney. My role was to capture production images to showcase the energy, emotion and artistry of the show with four extraordinary performers and a three-piece band, to be used for promotional and program purposes.
Normally, I photograph and document a full dress rehearsal by shooting continuously while the production runs in real time. This allows me to capture spontaneous moments and the natural rhythm of the performance. However, for Being Alive, the process was a little different – and all the more fascinating because of it.
This time, instead of shooting a seamless run-through, we worked through a carefully curated list of specific moments. Sonia Suares, the director, knew exactly the moments that would feature the artists appropriately and guided me along the way. The cast and crew would reset between these key points, allowing me to focus on capturing particular highlights that best represented the range and spirit of the show. We moved from set-up to set-up, working collaboratively to ensure that each image told a piece of the story.
Pictured from left: Lincoln Elliott, Kala Gare, Raphael Wong & Blazey Best
From my perspective, it was an interesting departure from my usual approach — offering the opportunity to craft images with more precision, while still responding to the vibrancy of live performance. I’m grateful to the team at Hayes for their openness and professionalism, and to the cast for their generosity in revisiting these moments so that I could do them justice through my lens.
Catch a performance in Sydney starting from late June … for tickets and more information head to“Being Alive”
Cast and crew of the Hayes Theatre production of “Being Alive”
In February 2025, I had the privilege of capturing two distinct photographic sessions for the Hayes Theatre Co’s production of “The Pirates of Penzance” (playing in Sydney through March 16). The first was a studio-based shoot designed to produce new promotional images for the marketing campaign for this reimagined classic. The second involved taking swash-buckling production shots during the dress rehearsal, providing a special glimpse into the performance’s dynamic energy.
Directed by Richard Carroll, this adaptation of Gilbert and Sullivan’s operetta offers a fresh and inventive take on the original work. This production includes a standout performance by Brittanie Shipway in the twin roles of maid Ruth and love interest Mabel. Critics have praised the show for its modern twist and engaging performances. According to Broadway World, the production is “an inventive escapist expression of Gilbert & Sullivan’s comic opera.”
The promotional images I created aim to capture the vibrant and contemporary essence of this adaptation, highlighting the performers’ madcap expressions and the show’s lively atmosphere. We follow the dreamy and not-particularly-bright young Frederic (played with amusing earnestness by Maxwell Simon), a piano-playing Major-General (Trevor Jones), a pirate/policeman/maiden who also plays the keys (Billie Palin) and a ukulele-playing, quick-changing Pirate King and Police Chief (Jay Laga’aia), who sometimes wears a ridiculous, over-scaled leather pirate’s hat. The heightened silliness, adventurousness and comic musical timing is aided by the onstage stage manager (Sheridan Simson) who rings the ship’s bell and keeps the action moving briskly. I think that my images help to convey this production’s modern sensibility.
During the dress rehearsal, I focused on capturing candid moments to showcase the performers’ interactions and the intricate staging, plus some of the hilarious costuming and prop gags. The intimate setting of the Hayes Theatre Co allowed for close-up shots to emphasize the comedic timing integral to the performances.
With witty lyrics and new jokes, this collaboration with the Hayes Theatre Co has been a rewarding experience, allowing me to be part of the visual storytelling of a production that reimagines a beloved classic for a new generation.
Recent Reviews of ‘The Pirates of Penzance’ at Hayes Theatre Co
The Pirates of Penzance; or The Slave of Duty is playing at Hayes Theatre Co, Potts Point, until March 16. For information and to book tickets go to: The Hayes Theatre Co
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On now at the Hayes Theatre, Sydney, Flat Earthers, a brand new musical that is not just a kaleidoscope of colour, but a wacky adventure into (cyber) space and time.
Production shots of the dress rehearsal are an important tool for promotional purposes for any show. They are also reproduced in the program that is sold on performance nights at the theatre, creating a valuable document of the cast, lighting and staging of any particular production. In the case of “Flat Earthers: The Musical”, due to difficulties with my scheduling for the dress rehearsal, I was actually photographing the first public performance. This meant I was limited in my movements, since I normally have the freedom to move throughout the auditorium when photographing a performance. As a photographer, you want to vary the angles and you constantly search for striking lighting effects. That said, you usually work more at the front/centre of the stage, because the show is constructed that way … you want to mirror the audience viewpoint.
Book & Lyrics Jean Tong & Lou Wall Songwriting Lou Wall & James Gales Music Production James Gales Director Declan Greene Musical Director Jude Perl Choreographer Fetu Taku Set & Lighting Designer Brockman Costume Designer Emma White Sound Designer, Associate Video Designer & Animator Daniel Herten AV Content Creator Xanthe Dobbie Stage Manager Anastasia Mowen Sound & AV Assistant TK Abioye Sound Operator Em-Jay Dwyer Intimacy Coordinator Chloë Dallimore Musical Dramaturg Clemence Williams Casting Director Rhys Velasquez Assistant Set Designer Lochie Odgers Assistant Stage Manager Grace Sackman With Michelle Brasier, Lena Cruz, Manali Datar, Milo Hartill, Manon Guderson-Briggs, Mel O’Brien, Shannen Alyce Quan, Zarif
I have been working on lead photography for the upcoming Hayes Theatre production of the new musical Ride The Cyclone, directed by Richard Carroll. This will be the Australian premiere of this hilarious story about the lives of six Canadian teenagers from a chamber choir, who are involved in a freak accident aboard a rollercoaster. The Washington Post called it “ingeniously dark and funny”.
Before the actors and crew head into an intensive rehearsal period, they called into my Lilyfield studio to generate some fresh content for their marketing push. The Hayes Theatre is currently doing a lot of good work in the realm of musical theatre, spotlighting new ideas and young performers.
Here is a series of images that I captured as out-takes during the afternoon I spent together with the crew, make-up artists and actors (Natalie Abbott, Bailey Dunnage, Lincoln Elliott, Justin Gray, Ava Madon, Mel O’Brien, Karis Oka and Alec Steedman). More final imagery and production details to follow in a subsequent post.
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I photographed production shots for “Murder For Two” running now at the Hayes Theatre in Potts Point. This is a truly fast, furious and entirely silly crime farce with a touch of Xmas, being performed until 22 December, 2023.
The story of “Murder for Two” is marked by playful intrigue. Officer Marcus Moscowicz is a small-town policeman who dreams of being promoted to detective. One fateful Christmas Eve, shots ring out at the surprise Christmas-birthday party of the Great American Novelist Arthur Whitney, and the writer is “fatally killed”. With the local detective caught up doing last-minute gift shopping, Marcus jumps at the chance to prove his sleuthing skills, with the help of his silent partner, Lou. Did Dahlia Whitney, Arthur’s scene-stealing wife, poison the eggnog? Or was it the celebrated star of The Nutcracker, Barette Lewis? Whodunit?? You’ll have to come along to find out!
Director Richard Carroll Musical Supervisor Damon Wade Choreographer Shannon Burns Set & Costume Designer Keerthi Subramanyam Lighting Designer Priyanka Martin Sound Designer Daniel Herten Stage Manager Jessie Byrne Production Manager Abbey Pace Production Assistant Kaylee Ashton Dialect Coach Linda Nicholls-Gidley
Starring Maverick Newman, Kala Gare and Sam Marques
*Sam Marques will play the role of Detective Marcus on 12th December 2023.
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Stephen Sondheim’s acclaimed and seductive musical farce, A Little Night Music, opens tonight at the Hayes Theatre in Sydney.
Winner of the Tony Award for Best Musical, Sondheim’s A Little Night Music is a wonderfully witty and deeply moving romance, exploring desire, passion and regret. IN this new Sydney production directed by Dean Bryant, the audience is swept away by classic songs like “A Weekend in the Country”, “The Miller’s Son” and the iconic and pensive “Send in the Clowns”.
I ventured to the Hayes Theatre for the final dress rehearsal last week to photograph dramatic moments of the players on stage. Although most of my attention was on capturing the best images, I couldn’t help being carried away to Sweden in the 1900, caught up in the drama of the suspicious trysts and love triangles of these engaging characters.
Desiree Armfeld (Blazey Best) with Count Carl-Magnus Malcom (Josh Robson) with Frederick Egerman (Leon Ford) hiding in the corner.
I loved seeing Nancye Hayes on stage as the stylish doyenne, Madame Armfeldt. She certainly defines stage-presence with panache.
If you are in Sydney, I suggest you see this magnificent performance…..a great night out, witty, entertaining, clever use of language, with captivating music and lyrics. Playing until November 11, 2023 Book here:
A second season of La Cage Aux Folles was staged at the State Theatre. Not only did I manage to shoot part of the dress rehearsal but I also attended the opening night and shot the red carpet at the beginning of the evening. This also meant that for the first time I got to sit in the audience and actually see the show performed from start to finish as a “normal” person.
Paul Capsis was stunning in the role of Albin. Also the chemistry between Georges (Michael Cormick) and Albin (Paul Capsis) was just magic. I loved the dancers (Les Cagelles) and the choreography (Choreographer: Veronica Beattie)…really well done. In fact the whole cast was perfectly drawn. It was a delight to be thoroughly entertained by all the colour and movement and I found myself completely engaged and invested in the story and the dialogue.
Obviously I wasn’t the only one that liked the show. Here’s a review posted in “Time-Out”
The Red Carpet is always fun…….
Tom Gay
Lara Mulcahy
Leigh Sales
Matty Mills
Riley Spadaro (Director), David Hawkins (Producer) & Veronica Beattie (Choregrapher)
During the recent Sydney run of La Cage Cage aux Folles, the chemistry on stage between the two leads, Paul Capsis and Michael Cormick, was palpable and electric. This iconic stage musical is about two eccentric men (one more-so than the other) bringing up a child above a nightclub in St Tropez, where one of the parents, Albin, performs as a drag queen. I took these production photographs at the final dress rehearsal in late January at The Concourse Concert Hall. I couldn’t stop myself laughing – the jokes are still relevant, even decades after they were written.
I remember when I saw the Franco-Italian film version in my 20’s … it broke many taboos in such a fun and ground-breaking way. Initially it was created as a play by Jean Poiret and was performed by Michel Serrault and Jean Poiret. It was a huge success and hence made into a film (also starring Michel Serrault) in the French language, which broke into the international mainstream market and certainly took Australian audiences by surprise. Not only did we see a successful homosexual relationship front and centre on the big screen, but there was cross-dressing, drag and hilarious slapstick on display … a far cry from the tortured, artistic, foreign-language cult films we were used to seeing from France.
The David Hawkins production of La Cage Cage aux Folles was a joy to shoot. If you appreciate colour, movement and good humour, then this version is the ultimate production. I loved watching Paul and Michael play the roles of Albin (and ZaZa, the drag phenomenon) and his more conservative partner Georges (who was previously married and produced a son).
News Flash!!!!!! La Cage is getting another run this time at the State Theatre in Sydney from 19th – 23 April, 2023. Click here to book tickets:
It was a real pleasure to shoot the Sydney dress rehearsal of director Richard Carroll’s new production of Gentlemen Prefer Blondes at the Hayes Theatre.
The two leads, Emily Havea and Georgina Hopson, are fabulous in the roles of Dorothy and Lorelei and the rest of the cast are equally brilliant. When you are producing a theatrical shoot, it can be very difficult to appreciate the bigger picture of what is happening on stage. Your attention as photographer is focused on multiple things while you apply your craft, including technical considerations and stylistic decisions. However, in this case, it was impossible for me to ignore the magic of what was happening on stage, even though it was only the dress rehearsal.
If you see this post before the production of Gentlemen Prefer Blondes finishes at the Hayes Theatre on March 18, 2023, make sure you book tickets to see this wonderful piece of musical theatre. Book here
Director:Richard Carroll | Featuring:Octavia Barron-Martin, Thomas Campbell, Ruby Clark, Adam Di Martino, Emily Havea, Georgina Hopson, Tomáš Kantor, Leah Lim, Tomas Parrish, Matthew Predny, Monica Sayers | Musical Director: Victoria Falconer | Band: Nathan Barraclough, Amanda Jenkins, Abi McCunn, Jarrad Payne | Choreographer: Sally Dashwood | Set Designer: Dan Potra | Costume Designer: Angela White | Lighting Designer: Benjamin Brockman | Associate Musical Director:Abi McCunn | Stage Manager: Bronte Schuftan | Assistant Stage Manager: Anastasia Mowen | Dialect Coach: Benjamin Purser | Intimacy Coordinator: Caroline Kaspar
Directed by Luke Joslin Musical Director Su Hee Cho Choreographer Matthew Jensen Design Angela Meany Production Assistant/SM Alexis Worthing Producer Michelle Guthrie
Starring Penny McNamee with Andrew Cutcliffe, Wayne Scott Kermond, Octavia Barron Martin, Ava Madon, Drew Livingston, Vincent Huynh, Dean Vince, Emily Cascarino, Joel Houwen, James MacAlpine, Chloe Malek, Siena Elchaar
The Hayes Theatre, Potts Point, is well known for its staging of musicals and theatre productions. One such production is the musical, Bells Are Ringing. This piece is part of a Hayes Theatre’s initiative whereby long standing musicals are selected as part of a “forgotten musicals” genre.
What is also interesting in these productions is that the cast comes together and is given the scripts one day before the musical opens to the public. This means that the cast is challenged with the formidable task of presenting something which is almost not rehearsed…..to the point that they cast members read from scripts on stage as part of the presentations. This creates a captivating set of conditions as the audience is simultaneously invested in the outcome.
As Penny MacNammee states in a recent interview, “The unique and thrilling experience that comes with performing a Neglected Musical, is three-fold for me. Firstly, the challenge of learning and staging a show in just a day, the thrill of performing that show in front of a live audience who are invested in the process, and finally the joy of rediscovering and presenting a forgotten, but cherished musical!”
I was asked to shoot for the production on their first public performance of the show. It was a great experience to capture the moment. The following is a selection of shots…..
If you missed this production at the Hayes make sure you catch one of their works in the future. Keep up to date by visiting their web site here: The Hayes Theatre, Sydney.
I had the pleasure of photographing production shots for the “Off Broadway” sensation, “The Room Upstairs”.
I would certainly recommend treating yourself to a night of pure entertainment and head to the Hayes Theatre….details below.
Music, Book and Lyrics by Max Vernon
PERFORMANCE AND BOOKING DETAILS
Presented by Invisible Wall Productions and Sugary Rum productions in association with Hayes Theatre Co
Directed by Shaun Rennie
Musical Direction by Nicholas Griffin
Choreography by Cameron Mitchell
Set Design by Isabel Hudson
Costume Design by Anita Yavich
Lighting Design by Trent Suidgeest
Sound Design by Neil McLean
Australian PremiereCast includes Henry Brett, Thomas Campbell, Nick Errol, Ryan Gonzalez, Martelle Hammer, Anthony Harkin, David Hooley, Markesha McCoy, Madison McKoy and Stephen Madsen
The View Upstairs pulls you inside the UpStairs Lounge, a vibrant 70s gay bar in New Orleans. The forgotten bar regulars come to life when a young fashion designer from 2017 buys the now abandoned space and is transported back in time. He gets to know the joys and struggles of this community and in turn learns about his place in the world.
From the opening piano chords of this Off-Broadway sensation, the five-piece band and cast of ten blast into the glam rock world of the 1970s. In our ever-changing world, this show looks at the then and now to explore our ideas of love, regret, defiance and resilience. The music will give you goosebumps, the story will make you both laugh and cry. See why Ru Paul said the show was “FABULOUS! It was fantastic.”
“Blood Brothers” is a musical (directed by Enda Markey)……about to open in Melbourne. Don’t miss it…if you happen to be there from July 16 at the Alex Theatre, St Kilda.
I had the pleasure of shooting the cast recently in my studio for the lead image. It was great to work with such a professional bunch of people (pictured below: Bobby Fox, Helen Dallimore, Josh Piterman and Michael Cormick)