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Emily Jacir – selected for the 25th Biennale of Sydney

I’m very excited at the recent announcement that my artist friend Emily Jacir will be part of the 25th Biennale of Sydney (March 14 – June 14, 2026).

See link here: Emily Jacir at the Biennale of Sydney

I am happy for Emily that she is getting such high profile exposure in Australia, with a work incorporating film, installation and performance at the former White Bay Power Station (not far from my studio). I’m equally happy that this means Emily will be traveling to Sydney and I will get to catch up with her once she arrives. It has been several years since our last meeting in Rome.

Jacir is a multidisciplinary artist whose primary interest lies in transformation, resistance and silenced historical narratives. She works in a variety of media including film, photography, installation, performance, video, writing, and sound. She draws on the artistic medium of concept art and social intervention as a framework for her pieces, in which she focuses on themes of displacement, exile, and Palestinian culture, primarily within the context of resilience and resistance.

Emily’s list of awards and honours, including winning “The Golden Lion” at the 2007 Venice Biennale, is too long to mention….but look up a brief biography and summary here: Emily Jacir

I am also happy to see that the portrait she chose to promote her inclusion in Sydney’s Biennale was a photo I captured in Rome. It was taken in 2016 in Trastevere, Rome. Emily loved the streets around her apartment so we shot a number of frames along those narrow, cobblestoned, historical carriageways, as well as a few images in her apartment and on the terrace.

I look forward to seeing Emily when she arrives in early 2026.

Emily on the roof terrace of her apartment with the colours of Trastevere in the background.
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Revisiting Wonderland – Central Park

Every so often, I like to revisit shoots from the archive. It’s not just a chance to reflect on past projects — it’s an opportunity to rediscover images, appreciate the work again with fresh eyes, and showcase it to clients who may find relevance in it today. That was certainly the case with my 2019 shoot for Multiplex at Wonderland Central Park, located near Broadway in Sydney.

Wonderland Central Park is an iconic addition to the inner-city landscape — a striking architectural development that blends bold design, modern living, and an innovative approach to urban space. When Multiplex commissioned me to photograph the project, the goal was to capture the building’s presence, energy, and the seamless integration of architectural elements into the vibrant Central Park precinct.

Fast-forward to recently, when Allegion Australia, a Melbourne-based company responsible for the exterior, shutters on the building, reached out for imagery showcasing their work as part of the façade. Revisiting this shoot reminded me just how impressive the structure is — and how rewarding it is to create visuals that stand the test of time. Good architectural photography doesn’t just document a building; it becomes part of its story and continues to serve its purpose as an enduring image.

Looking back at the images, my focus was on scale, texture, and the way light interacted with the structure. The exterior shutters — an integral feature of the building’s character — play a key role in both form and function, and it was exciting to see this detail acknowledged and requested for industry use.

Why revisiting past work matters

As creatives, we often move quickly from one project to the next. But revisiting earlier shoots offers value in many ways, including giving fresh perspective, highlighting industrial relevance and signalling the evolution of my portfolio.

For me, it also underscores the importance of building a catalogue of commercial work that continues to support architects, builders, and suppliers long after a project is completed.

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Opening night at the Hayes Theatre: “Phar Lap – The Musical”

Pictured: Ellen Simpson (Choreographer), Steven Kramer (Book, music, Lyrics) & Sheridan Harbridge (Director)

Over two vibrant opening nights at The Hayes Theatre in Potts Point, I was invited to photograph guests as they arrived to celebrate the launch of Phar Lap – the brand new electro-swing musical about Australia’s beloved racehorse with the big heart.

Set against a large Phar Lap banner and the theatre’s red carpet, I photographed a stream of excited theatre-goers, cast members, and supporters as they entered the venue. This kind of photography isn’t my usual genre — I’m more often behind the lens at rehearsals and production shoots — but I really enjoyed the fast-paced, spontaneous interaction with people as they arrived. There’s something energising about these quick moments of connection: a brief exchange, a smile, and a frame that captures the anticipation of opening night.

It was a wonderful experience to be part of the buzz and celebration surrounding this fresh, lively musical that reimagines one of Australia’s most iconic stories.

Happy to hear it has been a SOLD-OUT season at the Hayes Theatre.

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“Phar Lap” – new electro-swing musical production at the Hayes Theatre

I’ve had the pleasure of contributing photography to the current production at the Hayes Theatre, Phar Lap – The Musical. This brand-new Australian work takes inspiration from the legendary racehorse Phar Lap and the mythology that surrounds him, blending history, humour and heart into a sharp, witty and wonderfully entertaining story.

My involvement began back in July with an initial studio shoot designed to create key promotional imagery for the production. During that session, I also captured a series of interviews with the cast, director and writer — offering insight into the creative process and the unique spirit of the show as it took shape.

Pictured: Justin Smith (plays Harry Telford, Joel Granger (plays Phar Lap), Sheridan Harbridge (Director) and Steven Kramer (Writer, music and lyrics)

More recently, I photographed the dress rehearsal, capturing the energy and visual richness of the full production. These images are now being used to further promote the season and highlight the incredible performances and vibrant staging that make this show such a standout.

I loved the music…..Phar Lap boasts an irresistible electro-swing score, with inspirations from Duke Ellington to Daft Punk. Brassy, lively and retro. I was concentrating on the photography, the angles, the action however, I found myself tapping my leg and moving to the beat.

The season is now in full swing at the Hayes, and it’s brilliant — smartly written, beautifully performed, and exceptionally funny. It’s always a thrill to collaborate with the team at Hayes Theatre and to help visually tell the story of a production that so perfectly celebrates Australian talent and storytelling.

Starring Shay Debney, Lincoln Elliott, Joel Granger, Manon Gunderson-Briggs, Amy Hack, Nat Jobe, Joey Phyland and Justin Smith.

Director Sheridan Harbridge
Musical Supervisor Steven Kramer
Musical Director David Gardos
Choreographer Ellen Simpson
Associate Director & Stage Manager  Daniel Cottier
Set Designer Hailley Hunt
Costume Designer Mason Browne
Lighting Designer Trent Suidgeest
Sound Designer Liam Roche
Arranger & Orchestrator Jack Earle
Orchestrator & Track Producer Steve Toulmin
Associate Track Producer Glenn Moorhouse
Ableton/Keyboard Programmer David Youings
Sound Content Designer Matty James
Production Manager Damion Holling
Assistant Stage Manager Nathan Sandy
Sound Engineer Em-Jay Dwyer
Set Design Assistant Adrien Stark
Costume Design Assistant Jess Dilworth
Musical Director’s Assistant Lauren Shaw
Intimacy Coordinator Chloë Dallimore

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Roberts & Co upgrade of Cumberland High School continues

I recently returned to Cumberland High School to capture the latest phase of the impressive upgrade by Roberts Co. This visit marked the completion of the latest phase of the project (there is more to come), with the final extension of classrooms now in place, alongside a brand-new high school building designed to house woodwork, technical studies, and other hands-on learning activities.

A standout addition is the state-of-the-art gymnasium and multi-purpose meeting hall, both built with a clear focus on functionality, light, and space. The architecture and finishes speak to a modern learning environment—one that feels open, inspiring, and well considered.

The transformation of Cumberland High has been remarkable to witness over the course of construction. With handover approaching, it’s easy to imagine how much the students and staff will appreciate their revitalised campus—ready for a new chapter of learning and community.

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Heart to Heart – an evening at the Heart Research Institute

Professor Ben Freedman

Last week I photographed an event hosted by the Heart Research Institute (HRI) in Newtown. The HRI is a world-leading medical research institute dedicated to understanding, preventing, and treating cardiovascular disease — the single biggest killer globally. Their pioneering research spans from molecular science in the lab through to clinical studies that directly improve patient care.

The evening began with a warm reception where guests gathered over food and conversation. It was a chance to connect supporters, researchers, and members of the community in a relaxed setting, before moving into the more formal part of the program.

The highlight of the night was a talk by Professor Ben Freedman, who shared his expertise and insights into cardiovascular research and, in particular, atrial fibrillation (AF) — a common but often underdiagnosed heart rhythm disorder that greatly increases the risk of stroke. Professor Freedman’s presentation was both engaging and informative, bringing clarity to a complex subject and underscoring the importance of early detection and treatment.

Adding a deeply personal dimension to the discussion, Mrs. Maggie Smith shared her lived experience of managing atrial fibrillation on a day-to-day basis. Her story offered an invaluable perspective, reminding everyone in the room of the human side of medical research and why the work of the HRI is so vital.

As the evening drew to a close, Professor Freedman demonstrated some of the latest gadgets and tools now available to help monitor “heart health.” From wearable devices to digital innovations, these practical examples gave the audience a glimpse into how cutting-edge research is translating into everyday care.

Events like this are a reminder that medical research is not just about lab results or statistics; it’s about people, their lives, and the potential for science to create healthier futures. I’m grateful to the HRI for the opportunity to document the event and witness the powerful intersection of research, community, and personal experience. Plus on a personal note, I find these subjects extremely interesting as it reminds me of the passion I had as a young science student, studying pharmacology and immunology at Monash University…in another lifetime.

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Mainbrace converts warehouse for Amazon

I recently had the opportunity to photograph the newly converted Amazon warehouse at Chullora, a massive facility that speaks to the scale and precision of modern logistics. This project, delivered by Mainbrace Constructions, highlights their reputation as one of Australia’s leading builders, known for managing large and complex retail and industrial projects across the country.

Walking into the site, I was immediately struck by the immensity of the space. The vast interior is laid out with bays for trucks, an intricate system of conveyor belts, and a network of machinery designed to ensure the smooth and rapid movement of parcels. Every detail is engineered for efficiency—an invisible but vital backbone of our daily lives in the city.

I chose to shoot into dusk, when the fading light softens the enormity of the structures, and the artificial glow inside the warehouse begins to dominate the scene. The interplay of natural and industrial light creates a calm, almost cinematic atmosphere, balancing the sheer scale of the operation with a sense of quiet focus.

Complexes like this are essential services that underpin the way we live. They allow the seamless flow of goods—everything from household staples to urgent deliveries—that we’ve come to expect as part of our fast-paced urban lives. Photographing this site was a reminder of how these unseen logistics hubs keep our cities moving, even if they’re tucked away in industrial zones on the edge of town.

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Bentley Estate Agents welcomes a new team member

I recently photographed Marie Mattinson from Bentley Estate Agents in Potts Point, Sydney. Marie has just joined the team in her new role as Sales Associate, bringing her own experience and expertise to the agency.

The team is excited to welcome her on board as Bentley Estate Agents continues to grow and expand its services. The addition of Marie’s portrait to the company profiles marks a moment of transition and progress – a new chapter not only for Marie but also for the agency as a whole.

The team at Bentley Estate Agents, from right to left: Marie Mattinson, Taisei (Cody) Sawada, Francesco (Frank) Colacicco, Tanya Hatton, Kostantinos (Kosta) Gravanis and Florencia Castillo.
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Prinnie Stevens brings her team back into the studio

Australian singer, songwriter, and performer Prinnie Stevens has long been celebrated for her powerhouse vocals, magnetic stage presence, and versatility across soul, R&B, pop, and musical theatre. From her standout performances on The Voice to starring roles in stage productions and her acclaimed show Lady Sings the Blues, Prinnie has built a reputation as one of the country’s most dynamic and inspiring artists.

We were back in my Lilyfield studio for a fresh round of photos, based on new ideas and forthcoming shows. Prinnie’s creative energy and professionalism always make for a dynamic shoot, and this session was no exception.

We reunited the same team who worked together on her stunning Lady Sings the Blues campaign — myself behind the camera and our brilliant make-up and hair by Joe and Drew, from The Glow up Headquarters (instagram: @theglowuphq). It’s a combination that clicks, bringing the right balance of skill, trust, and fun into the room.

The day flowed with laughter, music, and plenty of creativity. Shoots like this remind me how rewarding it is to collaborate with talented and committed professionals. When everyone brings their best, the results speak for themselves — beautiful, powerful imagery that captures Prinnie at her absolute best.

I can’t wait to share the finished selected images from this session. In this blog I’ve posted a few out-takes for a behind the scenes look at the shoot.

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Photographing ESR’s Wetherill Park Development

I was recently commissioned by ESR, a leading developer, owner, and manager of industrial and logistics real estate. With projects spanning across the Asia-Pacific region, ESR creates the kind of infrastructure that underpins how our cities function — from the warehouses that store goods to the distribution centres that keep supply chains moving.

My latest shoot for them took me to Wetherill Park, where ESR has completed a new warehouse complex made up of four distinct buildings. These immense structures rise from the western Sydney landscape, commanding attention not just through their size but through their purpose — serving as vital arteries in the logistics network of a growing city.

I began shooting in the afternoon and worked until dusk, when the light grew softer. The quiet transition from day to evening is one of my favourite times to photograph; the stillness of the outer west makes you pause and reflect on just how much infrastructure is required to sustain the concentrated population closer to the city’s centre. For most of us, this vast logistical framework remains invisible, yet it is essential to the way we live and work every day.

From a technical standpoint, photographing warehouses of this scale demands careful attention to form and structure. These buildings are geometric and monumental, so framing becomes about emphasising clean lines, proportions, and the relationship between the built form and the surrounding landscape. Light is another critical consideration — harsh midday sun can flatten the details, while late afternoon and evening light adds dimension and mood. Managing exposure is also key: balancing shadow and highlight to preserve detail across such expansive façades.

I enjoy photographing these structures which are neither decorative nor ornamental. They embody purpose, efficiency and scale – qualities that, when seen through the lens, reveal their own quiet beauty.

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Charles Cooper exhibits at Annandale Galleries

I have been shooting the work of Charles Cooper over many years and more recently a new collection which he is about to show at Annandale Galleries. Charles is a seasoned mid-career Australian artist with an impressive exhibition history.

“Geographics 2025” – Charles Cooper at Annandale Galleries
Exhibition Dates: 17 September – 18 October 2025
Venue: Annandale Galleries, 110 Trafalgar Street, Annandale, Sydney Charles Cooper

Cooper returns to Annandale Galleries for his third solo exhibition at the space, following the notable On Location show in 2022 Annandale Galleries – Charles Cooper.

Geographics 2025 is Cooper’s latest body of work explores the tension between urban order and natural entropy. His paintings turn the everyday cracks and repair lines of city roads into compelling studies of texture, colour, and abstraction. As curator Andrew Christie writes, Cooper “plants the seed of perception” — drawing viewers close to appreciate minute detail before inviting them to step back, revealing subtly modulated abstractions that pulse within everyday surfaces.

Born in Sydney in 1952, Cooper has built a distinguished career of solo and group exhibitions both nationally and internationally, while also teaching drawing at the National Art School Annandale GalleriesAnnandale GalleriesMutualArt.

Online catalogue https://online.fliphtml5.com/lnjye/qbes/

All enquires to: info@annandalegalleries.com.au

Here’s a few images from the opening night…..

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ACON celebrates 40 years

This year marks the 40th anniversary of ACON, an organisation that has been at the forefront of health, wellbeing and advocacy for LGBTQ+ communities in NSW. From its beginnings in 1985 as a response to the HIV/AIDS crisis, ACON has grown into a vital service provider, supporting people across diverse communities through health programs, harm reduction initiatives, campaigns, and community-building projects.

For four decades, ACON has stood as a fierce advocate, fighting stigma, breaking down barriers, and championing equality. Their work has not only saved lives, but also shaped a more inclusive society.

On a personal note, I recently had the privilege of visiting ACON’s offices to photograph a group of members and volunteers for a special cover image for the Sydney Star Observer. It was inspiring to meet and capture some of the faces who embody the organisation’s history and spirit. Being behind the camera in that moment reminded me how deeply ACON’s work has touched so many lives, and how vital their ongoing presence remains.

As we celebrate this milestone, it is an opportunity to reflect on the resilience of our communities, to acknowledge the countless individuals who have contributed to ACON’s journey, and to look ahead with gratitude and hope. Here’s to 40 years of care, courage, and change.

For more information on various events aligned to ACON’s 40th anniversary click on this link:

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Shooting the work of Serg from Prestige Plus

One of my July projects was to photograph a series of stunning interior and exterior residential projects for Prestige Plus, a Sydney‑based company specialised in the manufacture and installation of premium double‑ and triple‑glazed windows and doors. 

This assignment was particularly engaging for me as I focused on capturing the quality and beauty of the glass structures installed by Serg and his team. The work was at high‑end residences featuring large picture windows, sliding doors, bi‑fold systems, and custom configurations, allowing light to pour in while maintaining a sleek, modern aesthetic.

Inside the homes, the precision workmanship of the Prestige Plus team was evident: seamless frames, strong clean lines, and reflective surfaces that played beautifully with natural light. Outside, I documented how the installations enhanced the architectural form—highlighting courtyard glazing, expansive views, and the way the glass connected interiors with the outdoors.

For me each project was an adventure into another world … I would travel to areas of Sydney that I rarely visit such as the beautiful Cottage Point and also Grasmere. I would then lose myself in the task of working with angles, perspectives, light and other variables, to create striking images for my client.

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The Hayes Theatre Company prepares for it’s 2006 season

Pictured: Steven Kramer (Writer of Phar Lap), Justin Smith (Cast of Phar Lap), Joel Granger (Cast of Phar Lap) and Sheridan Harbridge (Director of Phar Lap)

Together with various actors, writers, directors and costumers, I recently hosted a series of photo-shoots at my studio for the Hayes Theatre Company, in preparation for their 2026 season. The sessions involved still photographs of various cast members and video production of the actors and crew, filminging light-hearted, voice-to-camera interviews. We also created some grabs of slow-mo action for future marketing content.

Kayla French (marketing) commits herself to creating content with Joel Granger (Cast of Phar Lap)
Richard Carroll (Artistic Director) checks in with Billie and John (Cast Members)
Billie (Cast) in makeup with Ashleigh Grace (MUA)
Final social media images are captured before stepping on set.
Rica Canillas (Marketing, left) working hard with Kayla French (Marketing, right)
Sam Hernandez (Costuming, left), together with Richard (Director, right) adjust Billie’s costume

While the video cameras rolled, I also took the opportunity to capture some out-takes of the working process with my own camera. There was a vibrant and creative mood on set, with the team from Hayes Theatre Company bringing incredible energy to the studio. Moments like these are a powerful reminder of just how much collaborative effort goes into producing a theatrical season, with the contributions of so many talented individuals coming together behind the scenes.

Sam Hernandez (Wardrobe/Stylist) makes final adjustments to Billie Palin’s costume on set.
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Hearts For Eternity

As a photographer, sometimes I am given an opportunity to witness and record moments of great resilience and human spirit. This was the case when I was commissioned to photograph the Hearts for Eternity event hosted by the Heart Research Institute at the Langham Hotel, Sydney in early July. The Institute is dedicated to funding life-saving research into heart health, supporting projects that aim to improve the lives of patients and to advance medical understanding in the field.

The afternoon took the form of a traditional high tea, accompanied by beautiful chamber music. Guests heard from Dr Christopher Stanley, leader of the Microvascular Research Centre, who spoke about his team’s ground-breaking work. Their research investigates the dangerous drop in blood pressure that occurs during septic shock. From the perspective of the patient, Jessica Lines, mother of young Ryan, recounted what her family endured when Ryan’s health was in serious danger, sharing their heartfelt story.

Dr Christopher Stanley giving his address to the participants
Jessica with Ryan

It was a privilege to capture such an important event—one that not only raises awareness and support for vital research but also celebrates the lives touched by the Heart Research Institute’s work.

Ryan Lines – on his way to support his mother at “Hearts For Eternity”
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Roberts & Co upgrades infrastructure at Cumberland High School

A recent commission was to photograph the completion of the latest stage of the development at Cumberland High School, by Roberts & Co. The project has delivered a series of new buildings and classrooms designed to provide state-of-the-art teaching facilities for students and staff.

The contemporary architecture, light-filled spaces, and innovative layouts reflect a strong focus on creating inspiring environments for learning. My aim was to capture the scale and detail of the design, from the expansive communal areas to the thoughtfully planned classrooms.

Projects like this demonstrate how modern educational spaces can foster creativity.  I am always reminded that things weren’t quite so spiffy and high-tech when I was attending my local high school in country Victoria. I could not have imagined how different school life would be in the contemporary setting of young students today –  with computers, internet, social media – all the bells and whistles of current technology. It was certainly a simpler time for me.

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Images of new bio lab at Macquarie University

I was recently commissioned by RCCI, a specialised team within Richard Crookes Constructions that manages interior fit-outs up to $30 million, to photograph the new Level 2 Bio Lab at Macquarie University.

Purpose-built to advance the study of frogs, this state-of-the-art facility provides researchers with the resources to continue their vital work. For me, photographing the clean lines and precision of the lab’s design was a fascinating experience, offering a glimpse into an environment where science and architecture intersect.

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Portraits in Rome: Emily Jacir

Emily Jacir, Rome, 2016

While visiting Rome in 2016, I had the opportunity to photograph acclaimed Palestinian artist and film maker Emily Jacir during an intimate and memorable portrait session. Known for her poignant and politically charged works, Jacir’s practice explores themes of displacement, resistance, memory, and the Palestinian experience, often weaving personal narratives with broader socio-political commentary.

One of Emily’s works is currently being exhibited as part of HOME 25: Invisible Cities, a roving exhibition presented across multiple venues throughout central Dandenong in Victoria. The show explores how the idea of “home” shapes our sense of identity, belonging, and dislocation—a theme that resonates deeply with Jacir’s body of work. It’s a pleasure to see a portrait from our photo session in Rome also being used by Greater Dandenong for their exhibition.

Jacir has exhibited internationally, with major works shown at the Venice Biennale (where she won a Golden Lion in 2007), the Whitney Museum, and MoMA in New York. Her work crosses media—film, photography, installation, and performance—always rooted in a strong conceptual framework and a commitment to storytelling.

She is also the Co-founder and Founding Director of Dar Yusuf Nasri Jacir for Art and Research in Bethlehem, Palestine—a vibrant and independent cultural centre housed in her family home. The space fosters exchange, experimentation, and critical dialogue among artists, researchers, and the local community.

Emily Jacir, Trastevere, 2016 – captured in one of her favourite streets

Working with Emily was an absolute pleasure. We began the shoot in the intimate interior of her Roman lodgings, where soft natural light filtered through the windows and created a quiet, thoughtful mood. From there, we moved to the rooftop terrace, where I captured Emily framed by the romantic skyline of Rome—its domes and terracotta roofs stretching into the distance. We finished in the cobbled streets of Trastevere, one of Rome’s most lively quarters. Emily led me to a narrow laneway she particularly loved, and it became one of the most memorable backdrops of our photo session. It was such a delight to collaborate with Emily in the creation of this imagery—she brought warmth, depth, and grace to every frame.

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Alone with my camera and lens at Kemps Creek

Recently, I headed out to Kemps Creek in western Sydney to photograph a newly completed warehouse development for ESR — a global real estate company specialised in logistics and industrial property. The vast building itself is now home to Toll, one of Australia’s largest logistics providers. However, I was given access to the site before the handover to the client, while the building was yet to be occupied, to photograph and document the construction project.

There is something strangely cinematic about this kind of assignment, being in an extensive, semi-rural industrial zone. At Kemps Creek, the warehouse looms out of the flat horizon like a modern monolith — part space station, part fortress. It’s like a man-made moonscape, and I found myself almost alone here, just me and my camera, wandering through steel shadows and sharp geometries.

Shooting at a site like this isn’t about catching fleeting human emotion or theatrical performance — it’s about scale, symmetry and silence. It’s satisfying to compose frames that reflect the power and precision of these enormous structures, capturing their relationship to the surrounding landscape and sky.

ESR, the company behind the development, operates across the Asia-Pacific region, investing in and managing spaces designed for logistics, data centres, and e-commerce infrastructure. Their work reflects the backbone of modern trade — quiet, unseen, but critical.

Photographing this development wasn’t just about showcasing a new warehouse with coloured stripes painted boldly across its facade, it was about documenting the scale of contemporary industry and the quiet grandeur of functional architecture. There’s a peculiar peace in being surrounded by so much cavernous space, steel and sky. As a photographer, I find such moments of solitude and shifting scale incredibly rewarding.

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“Being Alive” at Hayes Theatre: featuring the music of Stephen Sondheim

Pictured from left: Raphael Wong, Lincoln Elliott & Kala Gare

In June, I worked with the talented cast and crew of Being Alive, a beautifully staged selection of Stephen Sondheim songs at the Hayes Theatre in Sydney. My role was to capture production images to showcase the energy, emotion and artistry of the show with four extraordinary performers and a three-piece band, to be used for promotional and program purposes.

Normally, I photograph and document a full dress rehearsal by shooting continuously while the production runs in real time. This allows me to capture spontaneous moments and the natural rhythm of the performance. However, for Being Alive, the process was a little different – and all the more fascinating because of it.

This time, instead of shooting a seamless run-through, we worked through a carefully curated list of specific moments. Sonia Suares, the director, knew exactly the moments that would feature the artists appropriately and guided me along the way. The cast and crew would reset between these key points, allowing me to focus on capturing particular highlights that best represented the range and spirit of the show. We moved from set-up to set-up, working collaboratively to ensure that each image told a piece of the story.

Pictured from left: Lincoln Elliott, Kala Gare, Raphael Wong & Blazey Best

From my perspective, it was an interesting departure from my usual approach — offering the opportunity to craft images with more precision, while still responding to the vibrancy of live performance. I’m grateful to the team at Hayes for their openness and professionalism, and to the cast for their generosity in revisiting these moments so that I could do them justice through my lens.

Catch a performance in Sydney starting from late June … for tickets and more information head to “Being Alive”

Cast and crew of the Hayes Theatre production of “Being Alive”