Prime Constructions have a number of projects underway at Marsden Park in Sydney’s west. I was recently commissioned to document the completion of two warehouses and also photograph another building in mid-construction.
I do like shooting this kind of work. There’s something very “zen” about photographing what is essentially a huge rectangle in an industrial setting, at dusk. I like walking around the structure by myself as the sun is setting, waiting for the best light. It also makes you realise just how much space is needed to store and manage all the commodities that people require to maintain their urban lifestyles. These monolithic warehouses are usually built on the outskirts of the metropolis, where they are rarely seen by the more centralised, inner-city dwellers.
Before leaving Marsden Park, I captured images of a new Prime project in mid-construction. Here you can see the skeletal framework of a warehouse, with the steel girders reflecting the dwindling sunlight of the late afternoon.
In a departure from the more traditional corporate headshot required for company portfolios, the architectural firm Hansen Yuncken has decided to approach this genre differently, aiming for a more relaxed and natural look during our recent photographic shoot of some of their Sydney team..
The idea has been to capture the individual subjects with various backgrounds and in informal poses, as opposed to having a standard plain background, with each portrait photographed from the same angle. Where conditions permitted, I used natural light as the main light source. The emphasis was on diversity, and a less contrived atmosphere and posture. Of course the mere fact that the subject is having a portrait photograph taken can work as a barrier … not everyone likes being put in front of a camera for that “close-up”. It is always the photographer’s challenge to make the experience as easy and relaxed as possible, to achieve a more natural image (in spite of the very “un-natural” situation). I think we succeeded with the task at hand.
Artist extraordinaire Laura Matthews has recently completed a new body of work, which I happily photographed and documented at her inner-west studio in Sydney. Her paintings often look at how figures interact with expressive landscapes, including her recent series of underwater images.
Laura is the product of the illustrious British art school, The University College London Slade School of Fine Art (informally known as “The Slade”). It is touted as one of the UK’s top institutions for art, design and experimentation. A notable teacher at the Slade was the well-known British painter Lucien Freud.
After her studies, Laura moved to Australia with her husband, where she has worked as an artist ever since.
I enjoyed photographing her recent work. I admire Laura’s draughtsmanship as well as the looseness of her painting. I love “painters who paint”. What I mean by this is that I appreciate painters who really push their colours around on the canvas … where you can see the medium of paint and their techniques.
I captured images of a recent installation at Allianz Stadium, at the head office of the Sydney Roosters NRL team. The designers at Sydney Commercial Interiors created an impressive display with furnishings to house the many trophies and important football memorabilia collected by the club over the years.
Sydney Commercial Interiors is a Sydney-based company which leads the field in commercial interiors, spanning a broad spectrum of activities designing for office, hospitality, industrial and medical projects, as well as sports and recreation.
A second season of La Cage Aux Folles was staged at the State Theatre. Not only did I manage to shoot part of the dress rehearsal but I also attended the opening night and shot the red carpet at the beginning of the evening. This also meant that for the first time I got to sit in the audience and actually see the show performed from start to finish as a “normal” person.
Paul Capsis was stunning in the role of Albin. Also the chemistry between Georges (Michael Cormick) and Albin (Paul Capsis) was just magic. I loved the dancers (Les Cagelles) and the choreography (Choreographer: Veronica Beattie)…really well done. In fact the whole cast was perfectly drawn. It was a delight to be thoroughly entertained by all the colour and movement and I found myself completely engaged and invested in the story and the dialogue.
Obviously I wasn’t the only one that liked the show. Here’s a review posted in “Time-Out”
The Red Carpet is always fun…….
Tom Gay
Lara Mulcahy
Leigh Sales
Matty Mills
Riley Spadaro (Director), David Hawkins (Producer) & Veronica Beattie (Choregrapher)
My ongoing Spot the Arab project continues with the addition of Yunis Dargit to the ever-growing line-up of models I have photographed and exhibited. Spot the Arab is my highly-personal series of portraits looking at issues of race, identity, gender, religion and prejudice as seen through my lens, presenting honest, uncomplicated portraits which challenge the viewer to consider whether the model might identify as Arab or not. Some of the models identify as Arab, partially Arabian or not at all. It is up to the viewer to read the signals, and make their own assumptions. It is truly interesting to see on what basis each person makes their guesses.
I have exhibited my Spot the Arab series in Rome in a solo show at Galleria Il Ponte Contemporanea in 2017 and later in Australia, at the Backspace Gallery in Ballarat in 2018. For more information and a more detailed description of this series please visit the following Link: Spot the Arab
Now in 2023, I have continued my series with Yunis, an interesting man with a fascinating background. Currently he lives in Sydney, Australia and works in hospitality. I first challenge you to guess whether he identifies as Arab or not.
We started the shoot with some standard head-shots as a warm-up. This was also to provide Yunis with some new images to use for his social media and CV … see the official portrait below.
Following the head-shots, we moved on to capture the Spot the Arab portraits. Here are a few depictions of Yunis in costume from this shoot.
Yunis does identify as Arab, which is the short answer to the question. But it is more complicated than this … as it often is when we discuss nuances of human identity. Here’s an excerpt from what Yunis wrote:
“I researched my background as far back as 1843 and although some may dispute the fact that I am Arab, I possess documents that verify my lineage.
My family originates from what is now known as Syria, however I was born in Turkey and grew up later in Germany.”
On a recent job for Prime Constructions I organised drone photography to be shot at one of their sites. It is hard not to feel like you’re revisiting your childhood with such technology … you know, a bit like when dad and you made one of those remote controlled planes. Fortunately the drone is a bit easier to fly than the bungled attempts I remember trying to get the plane off the ground.
Prime is regarded as one of the leading building contractors in NSW. It was established in 1983 by Ron Masters and Phil de Gail. Paul Christopher and John Drake joined the company in 1988 and 1989 respectively and both became joint managing directors in 2010.
Homebush Logistic Centre
Homebush Logistic Centre
I also captured some images of a recently completed logistics centre by Prime Constructions at Homebush. While I was working until dusk, waiting for the light to become more seductive, it was a welcome surprise to find that there was a fast-food van next door with outdoor seating. Of course I couldn’t resist trying the “Little Weiner cuisine” in between shots.
The glamorous Kitty Glitter came to my studio to update her promotional imagery before she heads to Toronto as part of her ongoing tour one of Australia’s most successful international DJs.
I was in the Sydney suburb of Liverpool to photograph the opening event of a new accommodation facility in Liverpool for people with disability.
United For Care is an organisation which promotes the idea that people with disability can live, to a large extent, a happy and fulfilled life and that means having their own independent accommodation. It strives to move away from any model of communal living in dormitories, shared bathrooms and lounge rooms and gives the individual the pleasure of having their own space, at the same time offering all the allied support that may be necessary.
Aunty Gail delivers the welcome to country
Smoking Ceremony
The event kicked off with an acknowledgement of the traditional custodians of the land in a welcome to country by Aunty Gail followed by a smoking ceremony.
Karim Amin
Dai Le (MP)
Speeches were made by the Chief Operations Officer, Karim Amin and Dai Le (Federal Member), who also cut the ribbon to mark the official opening.
The Weeklies
Guests were entertained by “The Weeklies”, the Disability Services Australia band who created a melodic background for the day’s activities. The catering was next level, as you can see from some of the images which follow.
Conchita Wurst performs on the Booking.com stage along Crown Street
During the recent Sydney World Pride festival, I was commissioned by Booking.com and CSM to photograph events along Crown Street, to document the installation that Booking.com had created as part of their “Travel Proud” initiative.
Travel Proud has been created as a way of making travel for the LGBTQA+ community more inclusive. Companies, organisations and people who offer travel and hospitality experiences have been encouraged to take a short course to understand and connect more effectively with LGBTQA travellers. This reduces any barriers or uncomfortable situations for LGBTQA+ patrons and has been welcomed by Booking.com’s partners.
Passers-by were encouraged to share “travel proud” messages of goodwill and anecdotal travel stories by recording them (usually on their phones), then uploading them to the “giant suitcase” containing a large LED screen which then played them back.
Men at work
Construction almost completed
I enjoyed capturing the atmosphere in Crown Street during this event. I started early on a Sunday morning to document the construction and reassembling of a giant suitcase which was to become the central focus for the Booking.com promotion. Alongside the suitcase, a stage was built with lights and sound gear, ready for the line-up of local and international talent.
Almost finished….the giant suitcase with large LED screen
Baylee and Emily hand out Booking.com suitcase tags
Nick Pes on stage
Onlookers included Festival Artistic Director Daniel Clarke
And the artists, at least in the shows I experienced, were really magnificent. There was Nick Pes wooing the public with his dulcet tones (and a stunningly ripped midriff clearly on display).
Greg Gould had the crowd in the palm of his hand. Trevor Ashley gave Shirley Bassey a run for her money.
Conchita Wurst
Trevor Ashley takes the stage
Of course the big draw card on the night was the Austrian winner of the 2014 Eurovision Song Contest, Conchita Wurst. Conchita was in town as an ambassador for Booking.com and the Travel Proud program.
Verushka Darling on stage
There were fabulous drag queens from interstate, including Big Thick Energy, Vassy, Haiku Hands and Chela, as well as drag queens well known to the Sydney crowd such as Verushka Darling. Plus there was a string of DJ’s from Sydney and beyond, including James Tobin who I had photographed many years previously.
DJ
DJ James Tobin
Paul Capsis creates his unique brand of electricity on stage
The night closed with a stunning performance by Paul Capsis who would have blown the roof off, if there was a roof in the first place. I loved watching the faces in the crowd during Paul’s performance. One comment I noted was, “Capsis is a creature with incredible force. His screams can be heard from Mars.”
The faces in the crowd says it all…..
All in all it was great to see Oxford Street and the neighbourhood come alive with a great feeling of celebration and sharing over this period. Bravo to the organisers for creating a really successful new event.
Scroll through more photos by clicking through the images below:
Ann Maree & Michele meet up at Central Station to take the train (with a free ticket) to North Sydney, from where the march begins
With many others, we wait for the next train
The vibe was convivial.
It was an early rise for Sunday morning, especially after working long hours the day before. However it was well worth the effort to be able to participate in a major civic event on the final official day of World Pride Sydney 2023. I met my two friends Ann Maree and Michele at Central Station, to join 50,000 of our closest friends, to walk across the iconic Sydney Harbour Bridge to the Domain.
It was packed!
Even more packed!
We were greeted by the most fabulous of attendants. Although there were masses of people the event was so well organised and run that the whole thing flowed with no problems or bottlenecks.
One had a megaphone!
This was the first time in 23 years that the Harbour Bridge had been closed to traffic. Participants marched in solidarity for the LGBTQA+ community, in honour of past, present and continuing struggles both here and internationally, particularly in places where the rights of members of our community fall far behind the respect given in Australia (you know who you are!)
Very sensible to take a colourful parasol along to protect against the rays of the sun. I wonder if they’re calling Hawaii?
It was an exhilarating experience to be in unison with so many. The crowd was colourful and joyful. The weather was superb and the walk was the perfect bit of exercise for a Sunday morning.
Let the march begin!
As I walked, I thought about those people in other parts of the world who do not experience the freedoms that we enjoy here in this country. I then thought about all those in Australia who weren’t as lucky as us right now, being able to congregate under the banner of LGBTQA+ and march together, but instead have had to lead a life of non-acceptance and vilification. I thought about those who have had to endure social exclusion and even violent attacks, those who lost their lives, or the many hardships and painful journeys. It’s good to be able to clock just how far we have come, to act as a reminder to be vigilant in our protection of our hard fought freedoms.
No stopping some people! Thank goodness!
Time out to capture a pic of the bridge
Michele shows off her t-shirt
How beautiful it was to be able to admire the view and the structural magnificence of the bridge without needing to think about traffic.
Approximately 160 new graduates of the NSW Ambulance training course for paramedic and call takers gathered for the graduation ceremony with friends and family at Homebush.
David Dutton BM ASM
Clare Beech ASM
Key speakers at the ceremony were David Dutton BM ASM, Executive Director, Clinical Operations and Clare Beech ASM, Executive Director, Clinical Operations who welcomed the new graduates to the ranks of fully qualified employees.
The Senior Chaplain, Peter Van Praag, gave an introductory speech followed by a moment of stillness and prayer. The audience also heard from different representatives from the classes of paramedic and call takers, and a sense of pride was shared by the family and friends who also attended. Later there was a special appearance by the NSW Ambulance mascot, “Bearamedic”
Feature Point Constructions is a boutique construction and building company based in Melbourne, specialized in shop and office fit-outs and home renovations. Its hallmark is precision and quality finishes. The company is run by the well-presented and professional master tradesman, Ali Yucel (pictured above).
I spent the afternoon in Torquay, Victoria, photographing a home renovation that had recently been completed by Feature Point Constructions.
Torquay holds a special place in my heart as it was the “go to” holiday spot for my mother, aunty and us children. I have lots of fun memories of frolicking endlessly by the beach, long sunny days and loads of oysters and crayfish at the end of day in the hotel room.
I was impressed with the clean lines, rounded corners and beautiful finishes on this renovation. The following is a gallery of some of the shots.
During the recent Sydney run of La Cage Cage aux Folles, the chemistry on stage between the two leads, Paul Capsis and Michael Cormick, was palpable and electric. This iconic stage musical is about two eccentric men (one more-so than the other) bringing up a child above a nightclub in St Tropez, where one of the parents, Albin, performs as a drag queen. I took these production photographs at the final dress rehearsal in late January at The Concourse Concert Hall. I couldn’t stop myself laughing – the jokes are still relevant, even decades after they were written.
I remember when I saw the Franco-Italian film version in my 20’s … it broke many taboos in such a fun and ground-breaking way. Initially it was created as a play by Jean Poiret and was performed by Michel Serrault and Jean Poiret. It was a huge success and hence made into a film (also starring Michel Serrault) in the French language, which broke into the international mainstream market and certainly took Australian audiences by surprise. Not only did we see a successful homosexual relationship front and centre on the big screen, but there was cross-dressing, drag and hilarious slapstick on display … a far cry from the tortured, artistic, foreign-language cult films we were used to seeing from France.
The David Hawkins production of La Cage Cage aux Folles was a joy to shoot. If you appreciate colour, movement and good humour, then this version is the ultimate production. I loved watching Paul and Michael play the roles of Albin (and ZaZa, the drag phenomenon) and his more conservative partner Georges (who was previously married and produced a son).
News Flash!!!!!! La Cage is getting another run this time at the State Theatre in Sydney from 19th – 23 April, 2023. Click here to book tickets:
It was a real pleasure to shoot the Sydney dress rehearsal of director Richard Carroll’s new production of Gentlemen Prefer Blondes at the Hayes Theatre.
The two leads, Emily Havea and Georgina Hopson, are fabulous in the roles of Dorothy and Lorelei and the rest of the cast are equally brilliant. When you are producing a theatrical shoot, it can be very difficult to appreciate the bigger picture of what is happening on stage. Your attention as photographer is focused on multiple things while you apply your craft, including technical considerations and stylistic decisions. However, in this case, it was impossible for me to ignore the magic of what was happening on stage, even though it was only the dress rehearsal.
If you see this post before the production of Gentlemen Prefer Blondes finishes at the Hayes Theatre on March 18, 2023, make sure you book tickets to see this wonderful piece of musical theatre. Book here
Director:Richard Carroll | Featuring:Octavia Barron-Martin, Thomas Campbell, Ruby Clark, Adam Di Martino, Emily Havea, Georgina Hopson, Tomáš Kantor, Leah Lim, Tomas Parrish, Matthew Predny, Monica Sayers | Musical Director: Victoria Falconer | Band: Nathan Barraclough, Amanda Jenkins, Abi McCunn, Jarrad Payne | Choreographer: Sally Dashwood | Set Designer: Dan Potra | Costume Designer: Angela White | Lighting Designer: Benjamin Brockman | Associate Musical Director:Abi McCunn | Stage Manager: Bronte Schuftan | Assistant Stage Manager: Anastasia Mowen | Dialect Coach: Benjamin Purser | Intimacy Coordinator: Caroline Kaspar
The team at So French So Chic hit the sandy shores of Watsons Bay to shoot the latest summer range of garments designed by Valerie Tsoukaris and manufactured in Italy. We were collecting imagery for the summer catalogue.
I have fond memories of the time when I lived in Watsons Bay twenty years ago, so it was a bit nostalgic to return to this pretty environment to capture the gorgeous Valeria Sizova (our model) by the water’s edge. It is amazing what a calming effect being near the water can have. Normally there’s a modicum of stress when shooting fashion, paying attention to detailing, styling and time constraints. Somehow all this falls away when you are barefoot in the shallows of the sea while you work and the sun is shimmering in the background, reflecting on the ocean.
Nick, John, Kevin and Valeria on set at Watsons Bay
The team comprised of model: Valeria Sizova, make-up and hair: Kevin Vella, photographer’s assistant: Nick Jones, stylist and dresser: Carolyn Turner, designer: Valeria Tsoukaris and designer’s support and all-round “tout-faire”: Nic Tsoukaris.
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It is my first week back at work after some wonderfully relaxing time off. I am now ready for the exciting challenges that the new year will bring. I wish everyone a fantastic 2023 and I look forward to perhaps working with you on something photographic.
On Friday night (December 9), I had the extreme pleasure of being entertained by Trevor Ashley’s production of Moulin Scrooge at the Seymour Centre in Sydney. Only a week prior, I was backstage photographing the performers during their preparations for the dress rehearsal of this new adult panto, which I also recorded.
Trevor Ashley and Carlotta on stage during the dress rehearsal of Moulin Scrooge
When it’s possible, I like to capture informal shots in the dressing room, with the actors applying their makeup, prior to the main shoot. This helps to establish a good working atmosphere. Trevor said to me: “Come a bit earlier, if you like, because I know how you love to get a few shots backstage”. And it’s true, I do find these behind-the-scenes photographs and outtakes fascinating.
Now a week later, as an audience member, I thoroughly enjoyed the production, cleverly written by Trevor Ashley and Phil Scott. And performed beautifully by Trevor, his “high-kicking” supporting trio of Jakob Ambrose, Jarrod Moore and Stephen Madsen, and of course his magnificent co-star Carlotta (“the Queen of the Cross”). I also have to mention the fabulous costumes by Angela White.
Carlotta exerts fierce concentration…necessary for the preparation of the character of Astrid Zeneca.
Carlotta’s show-stopping performance of the Sondheim classic “I’m Still Here” (with a poignant libretto rewritten by Ashley and Scott), tracked her journey from a vilified Balmain schoolboy to national icon. Her rendition moved the audience to their feet for a well-deserved standing ovation. It is a testament to why Carlotta is considered one of Australia’s ground-breaking treasures and why Ashley so generously provided a new platform for one of his all-time “drag mothers”. Nearing her 80th birthday, Carlotta especially came out of retirement to perform as the club-owner of Moulin Scrooge.
The season for Moulin Scrooge has been extended so get in fast tobuy tickets here:
A final look in the mirror before heading on stageTrevor Ashley (as Saton) with Phil Scott (co-writer)An article with one of my photos, from the Sydney Morning Herald, December 10-11, 2022
A stately Vaucluse residence set the scene for my latest fashion shoot for the label So French So Chic. My trusted team of Valeria Sizova (model), Kevin Vella (MUA & stylist), Valerie Tsoukaris (client & creator), Caro Davis (styling) and Nick Jones (photographic assistant), worked together to create our vision of the upcoming autumn range.
It was a fine Sydney day, so it was wonderful to be working outside on the verandah of the house, and taking photographs down into the landscaped gardens. We all worked hard and the crew produced a strong series of images … see our contented faces in the group shot at the end.
Now that the autumn fashion range has been photographed, we are working on a selection of images for inclusion in the new published catalogue. For a look at the entire So French So Chic collection, follow this link: So French So Chic
John, Carolyn, Valerie, Valeria, Kevin, in a photograph taken by my assistant Nick Jones
Upcycling an existing 1970s office block paid off for the architects behind Sydney’s new Quay Quarter Towers, which won the World Building of the Year in late November 2022, the second major international award in less than a month. I photographed the project management team and the final stages of construction for Multiplex back in March 2021, when it was clear that the redesign would have a huge impact on the city skyline.
My photograph taken during the final building stages in early 2021, of the award-winning Quay Quarter Towers in Sydney
Designed by Danish architects 3XN with BVN architects in Sydney, Quay Quarter Towers was announced as the world building of the year at the annual world architecture festival in Lisbon, which attracted nearly 800 entries across a range of categories. The shortlist of 252 completed buildings included diverse projects, ranging from homes to museums around the world. The 206-metre-high building at 50 Bridge Street in Sydney’s CBD, which was developed by AMP Capital, also won the award for the world’s best new skyscraper.
The construction of Quay Quarter Towers retained two-thirds of the beams, columns and floor slabs and 95 per cent of the original core built for the AMP Society in the 1970s. Adapting the earlier skyscraper was a smart financial decision because repurposing a building rather than demolishing it to rebuild meant a faster return to market. It was also smarter for the planet because it saved more than 7 million kilograms of carbon. That’s equal to 35,000 flights from Sydney to Melbourne.
