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November 2022 – John McRae Photography & Studio

Gentlemen Prefer Blondes (apparently)

“From the moment audiences set sail with us…they can expect a night of camp glamour, sizzling jazz music …flowing champagne and, of course, diamonds.” – Richard Carroll and Victoria Falconer.

Hayes Theatre Co in association with WorldPride Arts, part of Sydney WorldPride 2023, presents GENTLEMEN PREFER BLONDES.

I was commissioned to produce the poster and publicity material for the show being staged early next year, with Georgina Hopson and Emily Havea as Lorelei and Dorothy. We used the grand marble staircase at the State Library to replicate the decor of the luxury cruise liner The Ile De France, setting sail across the Atlantic in the company of two of musical theatre’s most dazzling heroines.

GENTLEMEN PREFER BLONDES tells the raucous and subversive story of Lorelei Lee and Dorothy Shaw – two smart young single women with a burning desire for experiences beyond the conventions of the 1920s. Armed with only their vitality, ambition, quick wits, and above all their unshakeable friendship – these thoroughly modern women play the men at their own game. 

The creative team that brought you the critically acclaimed, sold-out season of Godspell take the leap from grunge to full glamour to bring you a glittering production of this beloved classic starring Hayes favourites, Emily Havea (Caroline or Change) and Georgina Hopson (Merrily We Roll Along).

“We’ve had our eye on this diamond of a show for years now, and we couldn’t be more excited to finally bring it to the Hayes stage in conjunction with Sydney World Pride in 2023,” said Co-Artistic Directors Richard Carroll and Victoria Falconer.

Featuring songs like Bye Bye Baby, I’m Just a Little Girl From Little Rock, and Diamonds Are a Girl’s Best Friend, prepare for a wet and wild voyage of self-discovery through a queer lens. And remember – in international waters, all the usual rules are suspended – indefinitely.

Richard and Victoria added, “We’re thrilled to have Emily Havea and Georgina Hopson as our two fierce, fabulous, and fashion-forward heroines, leading a cast of hilarious performers.”

This beautiful staircase at the State Library made for a stunning set to capture our two heroines.
Georgina, Emily and director Richard Carroll used classical Hollywood imagery to prepare for the show.

Director: Richard Carroll, Musical Director: Victoria Falconer, Choreographer: Sally Dashwood, Costume Design: Angela White, Graphic Design: Razzle Dazzle Design (@razzeldazzle.design)

GENTLEMEN PREFER BLONDES plays Hayes Theatre Co in Sydney from February 16, 2023.

ACON Awards Night at the Ivy


Laura Hart was the recipient of the Arts & Entertainment Award, presented by SGLMG Association, with my cover for the Sydney Star Observer.

More than 300 people came together at the Ivy Ballroom in Sydney on 17 August to celebrate LGBTQ community members whose work has made a difference to the lives of sexually and gender diverse people in NSW.

The Sydney Star Observer printed my portrait of Laura Hart, winner of the Arts & Entertainment Award, on the cover of the September issue of the magazine. Laura was acknowledged for her contribution to nurturing and developing “drag king” culture in NSW.  After the ACON award presentations, I photographed Laura and several other winners in a make-shift studio I set up in the foyer area of the Ivy.

Jason Om recipient of the Media Award, presented by OUT@NBCUniversal

Me… testing the lighting at the Ivy before the shoot. It is really cool that I can now trigger the camera from my phone.

My first photograph

I was going through a long-forgotten trove of family photographs which had been hidden away in the attic of my aunty’s house in Melbourne. She was doing a spring clean and she decided to transfer ownership of the box to me.

Amongst the hundreds of faded images of my childhood was one image that I had totally forgotten. It was a photo that I had taken when I was 7 years old. My aunty Jo (famous in the family for diarising, noting and archiving all things) had marked this image as “Gates Paddock Matthews, 1967, taken by John”, written on the back of the photo. So this would have to be the very first photograph that I ever made.

The image shows a dead kangaroo lying at the gated entrance to a paddock (presumably “Matthews” is the name of the owners of the farm). I must have been fascinated by the majesty of the animal that was lying dead and motionless on the grass.

I vaguely remember the experience … but only very vaguely. I don’t think I was impressed by the gore or shock value – it was much more about contemplating the idea of death. It also reminds me that, even at this early stage in my life, I had discovered how the camera lens and photography can provide you with another way of looking at something, a different point of view … and that there are so many different points of view.

So there you go … you never know what little personal treasures you may find in abandoned boxes laying around in attics … always worth a closer look.

Ned’s Place

I recently travelled to Melbourne for a break (and some welcome sunshine, much to my surprise) and to catch up with friends and family.

I stayed for a couple of nights at my friend Ned’s place in Yarraville (a great suburb, so convenient to the CBD). He has recently renovated a large garage area (previously vacant and under-used) on the ground floor of his duplex. I took some shots of the job that has been immaculately realised by Ali of Feature Point Constructions, creating a Mid-Century Modern atmosphere. Well done to all involved. Of course, the star of the shoot was Ned’s rescue greyhound Bürschi, who is rather sculptural by nature and very much part of the colour palette..

New Airport Underway

I was commissioned to document changes in the “under-construction” landscape at the new airport at Badgery’s Creek on the outskirts of Sydney. I have been photographing aspects of the construction to date, as well as taking working shots of various Multiplex employees. The scale of the project is huge and the sky is full of cranes as the work progresses rapidly.