It was an afternoon of colour and movement in my Sydney studio photographing the three Thai beauties Nadia, Katia and Cherry. These hard-working showgirls make up a dedicated trio who entertain across the country in clubs and entertainment centres, performing with Las Vegas glitz and Hollywood glamour.
Coming out of lockdown hibernation, the girls required some new, beguiling imagery for their upcoming performances. Filled with costumes, feathers and diamantes, my studio was like a backstage dressing room and performance space for Mardi Gras. Setting up the shoot was a lot of fun.
I was asked to set up a group shot of the executive members of the team overseeing the drama report, in the offices of Screen Australia, pictured below.
The 31st annual Screen Australia Drama Report shows a record-breaking level of expenditure on drama production in Australia in 2020/21 of $1.9 billion, made up of $874 million on Australian projects and $1.04 billion on foreign projects produced or post-produced in Australia.
Well-known comedian, radio announcer, social media star, author and talented all-round entertainer Tanya Hennessy is the reigning daytime queen of crossed lines. NOVA Entertainment recently staged a photo-shoot at the film studios of Sydney Prop Specialists in Marrickville for a brand new podcast series Tanya will be spearheading, called “Hennessy’s Hotline”.
More details will follow about Tanya’s upcoming podcast. In the meantime here are some images from our January shoot.
Just prior to the Christmas break I headed to the Southern Highlands village of Robertson to photography the wedding of Lisa-Mae Driscoll and James O’Connor.
It was a stunning occasion held in the wooded grounds of a turn-of-the-century hotel on the outskirts of the township. The Robertson Hotel was built in 1924. It ran as a country hotel with manicured lawns until it was purchased by the Catholic church and requisitioned into a monastery. More recently it was sold once more, and its original use as a sprawling hotel was re-established. It was the perfect venue for the December wedding of Lisa and James.
The wedding ceremony took place a short walk away from the entrance of the hotel, on the lawn of the lush gardens. The guests took their seats as they waited for the Bride and Groom to make their entrance with an entourage of flower girls and boys.
At the end of the ceremony, a special touch created a sense of wonder and magic. Once the celebrant presented the couple as husband and wife, each of the flower-girls and page-boys (pictured above, sitting on the ground) released a wanderer butterfly into the wild.
Since 2008, every year I have taken an “official” annual portrait photograph of Matthew Mitcham, Australia’s gold-medal Olympic diver, award-winning cabaret performer and television entertainer, in my studio in Sydney.
Facing the camera with a direct, unflinching manner, each consecutive portrait is added to the growing series of similar portraits, which commenced when Matthew was only 20 years old, before his rise to Olympic fame.
Each portrait is taken under identical conditions, plotting the changes in his physical appearance and growing self-assurance. MMXXI marks the 14th portrait and the 14th year in this ongoing series.
Matt continues to reside in the UK with his husband, Luke. If you wish to keep an eye on his professional progress I suggest following him on instagram at the following link: https://www.instagram.com/matthewmitcham88/
The complete sequence can be seen at
The series is printed by the artist in an edition of 9, with 2 artist proofs, and is available for purchase.
Five brand new, state-of-the-art aircraft flew into Mascot over the Christmas break, to become part of the fleet of Beechcraft King Air 350C planes, recently purchased by NSW Ambulance.
I was commissioned to visit Kingsford Smith airport to capture this line-up of “white birds” on the tarmac … most likely the one and only time that all five planes will be in the same place at the same time.
Here’s an article published in the Sydney Morning Herald on the recent acquisition by NSW Ambulance: See Link
I was chaperoned onto the tarmac by Gael, Operations Manager at the Mascot NSW Air Ambulance base, pictured below. Two of the pilots who had just landed the aircraft at Mascot were standing across to one side. I couldn’t help asking them what it was like to fly in brand new aircraft. Luckily for us, the impending thunderstorm was delayed just long enough for me to get the shots of the aircraft that I wanted, before the skies opened up and a summer rainstorm bucketed down.
Each year I photograph the hard-working team at NAPWHA (The National Association of People with HIV Australia). The shots are used for their annual report, which aims to highlight NAPWA’s policy of advocacy, health promotion, effective representation and outreach on a national level. The logistics needed to get a large number of busy people to be free at the same time for a group photo is not always easy, however Saysana (Communications and Community Engagement) manages each time. We usually set up the shoot in the laneways not far from the NAPWHA offices, where the graffiti adds to the atmosphere. The urban street-scape of the back streets of Newtown creates an interesting location, although we have to continually make way for passing cars. This year we also completed a number of individual shots of Aaron, Adrian, Brent and the team posed in front of the graffiti and ivy.
For the discerning admirer of eyewear, Macleay Optics in the heart of Potts Point has a large range of the lauded brand Rolf. The eyewear manufacturer ROLF was founded in 2009 in the midst of the Tyrolean Alps. The family business produces its signature line of unique wooden frames – made without screws and maintenance-free – each in its own clever geometric case.
I was asked to produce imagery for the production of Qween Lear which will be one of the headlining performances in the 2022 Sydney Festival. So along with Dee Dee as a fierce Sydney drag identity, we set up a photo-shoot in the mens toilets of the Cricketers Arms pub in Surry Hills to promote this immersive theatrical performance. As part of the festival programme, Qween Lear will take place in the Hordern Pavilion, itself the site of so many parties in the age of excess and ecstacy.
Part rave, part theatrical extravaganza,Qween Lear explores the demise of Sydney’s party era through the tale of an ageing drag matriarch played by Minnie Cooper (AKA Aaron Farley), abdicating her nocturnal throne. Set over one night around the turn of the millennium and stacked with Australia’s fiercest performers, a dazzling light show and throbbing original score, it’s a joyous love letter to the legends and legendary stories of Sydney’s lost nightlife.
The story of Sydney’s nightlife is inseparable from its queer history. Sparked by the 1978 Mardi Gras protest, the birth of house music, and a flourishing queer counterculture, our fair and feisty city gained an untouchable reputation for hedonistic nightlife in the eighties and nineties. Hordern Pavilion parties were the red-hot and sweaty epicentre of this fantasy world of love, fetish and house music. Now it will the home of a queer version of the Shakespearean tragedy King Lear.
Post-show Exhibition: At the conclusion of the Qween Lear performance in the Hordern Pavilion, ticket holders are invited to a free digital photography exhibition representing some of Sydney’s most iconic parties from the late twentieth century. This project has been proudly supported by the Powerhouse Museum.
Lorraine Chai (see link here) is a young, dynamic musician who not only teaches and plays music but has formulated her own instructive method for musical education. I first met Lorraine 8 years ago when she came to my studio for a series of head shots and recently she returned to update her image portfolio.
Although classically trained, Lorraine has extensive music skills having studied with many renowned jazz teachers such as Judy Bailey, Sandy Evans, and Kerrie Biddell and music theatre with Pat H. Wilson.
Having grown up with a musical family, Lorraine began playing and performing from the age of four. Lorraine has studied the Guitar, Percussion, Oboe, Violin, Clarinet, and Voice. She is an international multi-talented instrumentalist and educator. Lorraine graduated from the Sydney Conservatorium of Music with a Bachelor of Music Studies in 2008 and then completed her Graduate Diploma of Education at the Australian Catholic University a year later. In 2009, Lorraine completed the ATCL Recital (Associate Diploma Trinity College London) in classical singing and in 2011, completed a certificate of conducting from The Australian Band and Orchestra Director’s Association (ABODA).