Five brand new, state-of-the-art aircraft flew into Mascot over the Christmas break, to become part of the fleet of Beechcraft King Air 350C planes, recently purchased by NSW Ambulance.
I was commissioned to visit Kingsford Smith airport to capture this line-up of “white birds” on the tarmac … most likely the one and only time that all five planes will be in the same place at the same time.
Here’s an article published in the Sydney Morning Herald on the recent acquisition by NSW Ambulance: See Link
I was chaperoned onto the tarmac by Gael, Operations Manager at the Mascot NSW Air Ambulance base, pictured below. Two of the pilots who had just landed the aircraft at Mascot were standing across to one side. I couldn’t help asking them what it was like to fly in brand new aircraft. Luckily for us, the impending thunderstorm was delayed just long enough for me to get the shots of the aircraft that I wanted, before the skies opened up and a summer rainstorm bucketed down.
Each year I photograph the hard-working team at NAPWHA (The National Association of People with HIV Australia). The shots are used for their annual report, which aims to highlight NAPWA’s policy of advocacy, health promotion, effective representation and outreach on a national level. The logistics needed to get a large number of busy people to be free at the same time for a group photo is not always easy, however Saysana (Communications and Community Engagement) manages each time. We usually set up the shoot in the laneways not far from the NAPWHA offices, where the graffiti adds to the atmosphere. The urban street-scape of the back streets of Newtown creates an interesting location, although we have to continually make way for passing cars. This year we also completed a number of individual shots of Aaron, Adrian, Brent and the team posed in front of the graffiti and ivy.
For the discerning admirer of eyewear, Macleay Optics in the heart of Potts Point has a large range of the lauded brand Rolf. The eyewear manufacturer ROLF was founded in 2009 in the midst of the Tyrolean Alps. The family business produces its signature line of unique wooden frames – made without screws and maintenance-free – each in its own clever geometric case.
I was asked to produce imagery for the production of Qween Lear which will be one of the headlining performances in the 2022 Sydney Festival. So along with Dee Dee as a fierce Sydney drag identity, we set up a photo-shoot in the mens toilets of the Cricketers Arms pub in Surry Hills to promote this immersive theatrical performance. As part of the festival programme, Qween Lear will take place in the Hordern Pavilion, itself the site of so many parties in the age of excess and ecstacy.
Part rave, part theatrical extravaganza,Qween Lear explores the demise of Sydney’s party era through the tale of an ageing drag matriarch played by Minnie Cooper (AKA Aaron Farley), abdicating her nocturnal throne. Set over one night around the turn of the millennium and stacked with Australia’s fiercest performers, a dazzling light show and throbbing original score, it’s a joyous love letter to the legends and legendary stories of Sydney’s lost nightlife.
The story of Sydney’s nightlife is inseparable from its queer history. Sparked by the 1978 Mardi Gras protest, the birth of house music, and a flourishing queer counterculture, our fair and feisty city gained an untouchable reputation for hedonistic nightlife in the eighties and nineties. Hordern Pavilion parties were the red-hot and sweaty epicentre of this fantasy world of love, fetish and house music. Now it will the home of a queer version of the Shakespearean tragedy King Lear.
Post-show Exhibition: At the conclusion of the Qween Lear performance in the Hordern Pavilion, ticket holders are invited to a free digital photography exhibition representing some of Sydney’s most iconic parties from the late twentieth century. This project has been proudly supported by the Powerhouse Museum.
Lorraine Chai (see link here) is a young, dynamic musician who not only teaches and plays music but has formulated her own instructive method for musical education. I first met Lorraine 8 years ago when she came to my studio for a series of head shots and recently she returned to update her image portfolio.
Although classically trained, Lorraine has extensive music skills having studied with many renowned jazz teachers such as Judy Bailey, Sandy Evans, and Kerrie Biddell and music theatre with Pat H. Wilson.
Having grown up with a musical family, Lorraine began playing and performing from the age of four. Lorraine has studied the Guitar, Percussion, Oboe, Violin, Clarinet, and Voice. She is an international multi-talented instrumentalist and educator. Lorraine graduated from the Sydney Conservatorium of Music with a Bachelor of Music Studies in 2008 and then completed her Graduate Diploma of Education at the Australian Catholic University a year later. In 2009, Lorraine completed the ATCL Recital (Associate Diploma Trinity College London) in classical singing and in 2011, completed a certificate of conducting from The Australian Band and Orchestra Director’s Association (ABODA).
It’s coming up to that time of year once more in Sydney … yes it’s the Beresford Hotel’s annual Christmas show. Under the direction of Minnie Cooper, the forthcoming pageant features some of the bright stars of the Sydney drag scene. Surrounded by tinsel and diamonds, Fran and Coco came to my studio to pose for a series of Hollywood glamour shots for the Beresford’s poster, accompanied by dancer Hayden dressed as the Little Drummer Boy.
In 2021 The Beresford continues its tradition of Absolutely Xmas. Joining Minnie Cooper, and Tora Hymen is Coco Jumbo, Fran Giapanni and Hayden as the new talent.
There’s excitement in the air. Prinnie Stevens, Australian singer, performer and all-round entertainer extraordinaire is gracing the stage for brand new productions. She came to the studio with her team (hair, makeup and styling) to create new, vibrant imagery for upcoming shows as we all rocket out of lockdown. Her performance in “Sisters are doing it for themselves” begins at the Brisbane Powerhouse in February……see Link here
Prinnie shot to fame for her amazing performances as a contestant on “The Voice” and subsequently she has appeared in several major stage productions including Rent, Thriller Live, The Bodyguard, Hair and Oh, What a Night! and many other theatre, cabaret and television appearances. On her instagram bio, Stevens describes herself as “Polynesian RnB Soul Singer”.
Hansen Yuncken is well underway into the construction of their extension to the Meadowbank TAFE. I was asked to document the current state of the building project and to highlight the diversity of their workforce, including such technological innovations as 3-D modelling, computer visualisations, the use of i-pads and drones.
On the same day we organised additional corporate head shots of several site executives, for the Hansen Yuncken corporate profiles, see below.
At the end of November, the new season of Trevor Ashley’s production of “The Lyin’ Queen” begins at the Sydney Opera House.
Trevor came to the studio to complete a series of new publicity shots with Todd McKenney (Dancing with the Stars, The Boy from Oz and numerous TV and stage productions) who has just joined the cast going into the new season in Sydney.
The day after the shoot, the Sydney Morning Herald published a story (30-31 Oct, 2021) promoting Trevor’s show and the return to normality in the theatre world, reproducing a still from our shoot (see below).
The Weekend Telegraph ran an article in “Sydney Shortcuts” on the weekend with a one of my production images from last year’s sell-out season to promote the 2021 season (see below).
As Trevor says; “I couldn’t be more thrilled that Todd has joined the cast of the show. He’s an Aussie legend and has the best sense of humour, so I can’t wait to be on stage with him in this outrageously hilarious comedy.”
Expect dinosaurs, politics, parodies and an inflatable gorilla in this laugh-a-minute musical extravaganza and wild romp.
Urban Arts Project (UAP) was commissioned by ACON and Waverley Council to create the Bondi Memorial to victims of LGBTQ hate crimes in Marks Park, Tamarama.
The Bondi Memorial public artwork honours the victims and survivors of homophobia and transphobic violence along the Sydney coastline. It acknowledges and heals the significant community trauma caused by these events, it raises greater community awareness of this issue and promotes the continuing need for relevant information to be brought to police attention.
Mark’s Park was selected as the location for the permanent memorial given its place in international history as the site of numerous attacks. Many gay men and transgender women were assaulted, and in some cases murdered, at Mark’s Park.
UAP’s design for a six-level stone terrace represents the six bands in the pride flag, and was seen as wholly embracing the memorial’s guiding principles of remembrance, diversity, inclusion, justice and acceptance.
Voices from the gay community have said:
“It’s been too long in recognising these terrible events from our not-so-distant past,”
“Finally, we will have a permanent reminder by which we can pay respect to these men, their families, friends and the LGBTI community.”
Pictured below is Reg Domingo (ACON Communications) together with the rest of the team from ACON documenting the completion of the Bondi Memorial Project.