Every so often, I like to revisit shoots from the archive. It’s not just a chance to reflect on past projects — it’s an opportunity to rediscover images, appreciate the work again with fresh eyes, and showcase it to clients who may find relevance in it today. That was certainly the case with my 2019 shoot for Multiplex at Wonderland Central Park, located near Broadway in Sydney.
Wonderland Central Park is an iconic addition to the inner-city landscape — a striking architectural development that blends bold design, modern living, and an innovative approach to urban space. When Multiplex commissioned me to photograph the project, the goal was to capture the building’s presence, energy, and the seamless integration of architectural elements into the vibrant Central Park precinct.
Fast-forward to recently, when Allegion Australia, a Melbourne-based company responsible for the exterior, shutters on the building, reached out for imagery showcasing their work as part of the façade. Revisiting this shoot reminded me just how impressive the structure is — and how rewarding it is to create visuals that stand the test of time. Good architectural photography doesn’t just document a building; it becomes part of its story and continues to serve its purpose as an enduring image.
Looking back at the images, my focus was on scale, texture, and the way light interacted with the structure. The exterior shutters — an integral feature of the building’s character — play a key role in both form and function, and it was exciting to see this detail acknowledged and requested for industry use.
Why revisiting past work matters
As creatives, we often move quickly from one project to the next. But revisiting earlier shoots offers value in many ways, including giving fresh perspective, highlighting industrial relevance and signalling the evolution of my portfolio.
For me, it also underscores the importance of building a catalogue of commercial work that continues to support architects, builders, and suppliers long after a project is completed.
