Category: Photography Up-dates

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Emily Jacir – selected for the 25th Biennale of Sydney

I’m very excited at the recent announcement that my artist friend Emily Jacir will be part of the 25th Biennale of Sydney (March 14 – June 14, 2026).

See link here: Emily Jacir at the Biennale of Sydney

I am happy for Emily that she is getting such high profile exposure in Australia, with a work incorporating film, installation and performance at the former White Bay Power Station (not far from my studio). I’m equally happy that this means Emily will be traveling to Sydney and I will get to catch up with her once she arrives. It has been several years since our last meeting in Rome.

Jacir is a multidisciplinary artist whose primary interest lies in transformation, resistance and silenced historical narratives. She works in a variety of media including film, photography, installation, performance, video, writing, and sound. She draws on the artistic medium of concept art and social intervention as a framework for her pieces, in which she focuses on themes of displacement, exile, and Palestinian culture, primarily within the context of resilience and resistance.

Emily’s list of awards and honours, including winning “The Golden Lion” at the 2007 Venice Biennale, is too long to mention….but look up a brief biography and summary here: Emily Jacir

I am also happy to see that the portrait she chose to promote her inclusion in Sydney’s Biennale was a photo I captured in Rome. It was taken in 2016 in Trastevere, Rome. Emily loved the streets around her apartment so we shot a number of frames along those narrow, cobblestoned, historical carriageways, as well as a few images in her apartment and on the terrace.

I look forward to seeing Emily when she arrives in early 2026.

Emily on the roof terrace of her apartment with the colours of Trastevere in the background.
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Revisiting Wonderland – Central Park

Every so often, I like to revisit shoots from the archive. It’s not just a chance to reflect on past projects — it’s an opportunity to rediscover images, appreciate the work again with fresh eyes, and showcase it to clients who may find relevance in it today. That was certainly the case with my 2019 shoot for Multiplex at Wonderland Central Park, located near Broadway in Sydney.

Wonderland Central Park is an iconic addition to the inner-city landscape — a striking architectural development that blends bold design, modern living, and an innovative approach to urban space. When Multiplex commissioned me to photograph the project, the goal was to capture the building’s presence, energy, and the seamless integration of architectural elements into the vibrant Central Park precinct.

Fast-forward to recently, when Allegion Australia, a Melbourne-based company responsible for the exterior, shutters on the building, reached out for imagery showcasing their work as part of the façade. Revisiting this shoot reminded me just how impressive the structure is — and how rewarding it is to create visuals that stand the test of time. Good architectural photography doesn’t just document a building; it becomes part of its story and continues to serve its purpose as an enduring image.

Looking back at the images, my focus was on scale, texture, and the way light interacted with the structure. The exterior shutters — an integral feature of the building’s character — play a key role in both form and function, and it was exciting to see this detail acknowledged and requested for industry use.

Why revisiting past work matters

As creatives, we often move quickly from one project to the next. But revisiting earlier shoots offers value in many ways, including giving fresh perspective, highlighting industrial relevance and signalling the evolution of my portfolio.

For me, it also underscores the importance of building a catalogue of commercial work that continues to support architects, builders, and suppliers long after a project is completed.

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Opening night at the Hayes Theatre: “Phar Lap – The Musical”

Pictured: Ellen Simpson (Choreographer), Steven Kramer (Book, music, Lyrics) & Sheridan Harbridge (Director)

Over two vibrant opening nights at The Hayes Theatre in Potts Point, I was invited to photograph guests as they arrived to celebrate the launch of Phar Lap – the brand new electro-swing musical about Australia’s beloved racehorse with the big heart.

Set against a large Phar Lap banner and the theatre’s red carpet, I photographed a stream of excited theatre-goers, cast members, and supporters as they entered the venue. This kind of photography isn’t my usual genre — I’m more often behind the lens at rehearsals and production shoots — but I really enjoyed the fast-paced, spontaneous interaction with people as they arrived. There’s something energising about these quick moments of connection: a brief exchange, a smile, and a frame that captures the anticipation of opening night.

It was a wonderful experience to be part of the buzz and celebration surrounding this fresh, lively musical that reimagines one of Australia’s most iconic stories.

Happy to hear it has been a SOLD-OUT season at the Hayes Theatre.

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“Phar Lap” – new electro-swing musical production at the Hayes Theatre

I’ve had the pleasure of contributing photography to the current production at the Hayes Theatre, Phar Lap – The Musical. This brand-new Australian work takes inspiration from the legendary racehorse Phar Lap and the mythology that surrounds him, blending history, humour and heart into a sharp, witty and wonderfully entertaining story.

My involvement began back in July with an initial studio shoot designed to create key promotional imagery for the production. During that session, I also captured a series of interviews with the cast, director and writer — offering insight into the creative process and the unique spirit of the show as it took shape.

Pictured: Justin Smith (plays Harry Telford, Joel Granger (plays Phar Lap), Sheridan Harbridge (Director) and Steven Kramer (Writer, music and lyrics)

More recently, I photographed the dress rehearsal, capturing the energy and visual richness of the full production. These images are now being used to further promote the season and highlight the incredible performances and vibrant staging that make this show such a standout.

I loved the music…..Phar Lap boasts an irresistible electro-swing score, with inspirations from Duke Ellington to Daft Punk. Brassy, lively and retro. I was concentrating on the photography, the angles, the action however, I found myself tapping my leg and moving to the beat.

The season is now in full swing at the Hayes, and it’s brilliant — smartly written, beautifully performed, and exceptionally funny. It’s always a thrill to collaborate with the team at Hayes Theatre and to help visually tell the story of a production that so perfectly celebrates Australian talent and storytelling.

Starring Shay Debney, Lincoln Elliott, Joel Granger, Manon Gunderson-Briggs, Amy Hack, Nat Jobe, Joey Phyland and Justin Smith.

Director Sheridan Harbridge
Musical Supervisor Steven Kramer
Musical Director David Gardos
Choreographer Ellen Simpson
Associate Director & Stage Manager  Daniel Cottier
Set Designer Hailley Hunt
Costume Designer Mason Browne
Lighting Designer Trent Suidgeest
Sound Designer Liam Roche
Arranger & Orchestrator Jack Earle
Orchestrator & Track Producer Steve Toulmin
Associate Track Producer Glenn Moorhouse
Ableton/Keyboard Programmer David Youings
Sound Content Designer Matty James
Production Manager Damion Holling
Assistant Stage Manager Nathan Sandy
Sound Engineer Em-Jay Dwyer
Set Design Assistant Adrien Stark
Costume Design Assistant Jess Dilworth
Musical Director’s Assistant Lauren Shaw
Intimacy Coordinator Chloë Dallimore

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Roberts & Co upgrade of Cumberland High School continues

I recently returned to Cumberland High School to capture the latest phase of the impressive upgrade by Roberts Co. This visit marked the completion of the latest phase of the project (there is more to come), with the final extension of classrooms now in place, alongside a brand-new high school building designed to house woodwork, technical studies, and other hands-on learning activities.

A standout addition is the state-of-the-art gymnasium and multi-purpose meeting hall, both built with a clear focus on functionality, light, and space. The architecture and finishes speak to a modern learning environment—one that feels open, inspiring, and well considered.

The transformation of Cumberland High has been remarkable to witness over the course of construction. With handover approaching, it’s easy to imagine how much the students and staff will appreciate their revitalised campus—ready for a new chapter of learning and community.

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Mainbrace converts warehouse for Amazon

I recently had the opportunity to photograph the newly converted Amazon warehouse at Chullora, a massive facility that speaks to the scale and precision of modern logistics. This project, delivered by Mainbrace Constructions, highlights their reputation as one of Australia’s leading builders, known for managing large and complex retail and industrial projects across the country.

Walking into the site, I was immediately struck by the immensity of the space. The vast interior is laid out with bays for trucks, an intricate system of conveyor belts, and a network of machinery designed to ensure the smooth and rapid movement of parcels. Every detail is engineered for efficiency—an invisible but vital backbone of our daily lives in the city.

I chose to shoot into dusk, when the fading light softens the enormity of the structures, and the artificial glow inside the warehouse begins to dominate the scene. The interplay of natural and industrial light creates a calm, almost cinematic atmosphere, balancing the sheer scale of the operation with a sense of quiet focus.

Complexes like this are essential services that underpin the way we live. They allow the seamless flow of goods—everything from household staples to urgent deliveries—that we’ve come to expect as part of our fast-paced urban lives. Photographing this site was a reminder of how these unseen logistics hubs keep our cities moving, even if they’re tucked away in industrial zones on the edge of town.

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Bentley Estate Agents welcomes a new team member

I recently photographed Marie Mattinson from Bentley Estate Agents in Potts Point, Sydney. Marie has just joined the team in her new role as Sales Associate, bringing her own experience and expertise to the agency.

The team is excited to welcome her on board as Bentley Estate Agents continues to grow and expand its services. The addition of Marie’s portrait to the company profiles marks a moment of transition and progress – a new chapter not only for Marie but also for the agency as a whole.

The team at Bentley Estate Agents, from right to left: Marie Mattinson, Taisei (Cody) Sawada, Francesco (Frank) Colacicco, Tanya Hatton, Kostantinos (Kosta) Gravanis and Florencia Castillo.
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Prinnie Stevens brings her team back into the studio

Australian singer, songwriter, and performer Prinnie Stevens has long been celebrated for her powerhouse vocals, magnetic stage presence, and versatility across soul, R&B, pop, and musical theatre. From her standout performances on The Voice to starring roles in stage productions and her acclaimed show Lady Sings the Blues, Prinnie has built a reputation as one of the country’s most dynamic and inspiring artists.

We were back in my Lilyfield studio for a fresh round of photos, based on new ideas and forthcoming shows. Prinnie’s creative energy and professionalism always make for a dynamic shoot, and this session was no exception.

We reunited the same team who worked together on her stunning Lady Sings the Blues campaign — myself behind the camera and our brilliant make-up and hair by Joe and Drew, from The Glow up Headquarters (instagram: @theglowuphq). It’s a combination that clicks, bringing the right balance of skill, trust, and fun into the room.

The day flowed with laughter, music, and plenty of creativity. Shoots like this remind me how rewarding it is to collaborate with talented and committed professionals. When everyone brings their best, the results speak for themselves — beautiful, powerful imagery that captures Prinnie at her absolute best.

I can’t wait to share the finished selected images from this session. In this blog I’ve posted a few out-takes for a behind the scenes look at the shoot.

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Photographing ESR’s Wetherill Park Development

I was recently commissioned by ESR, a leading developer, owner, and manager of industrial and logistics real estate. With projects spanning across the Asia-Pacific region, ESR creates the kind of infrastructure that underpins how our cities function — from the warehouses that store goods to the distribution centres that keep supply chains moving.

My latest shoot for them took me to Wetherill Park, where ESR has completed a new warehouse complex made up of four distinct buildings. These immense structures rise from the western Sydney landscape, commanding attention not just through their size but through their purpose — serving as vital arteries in the logistics network of a growing city.

I began shooting in the afternoon and worked until dusk, when the light grew softer. The quiet transition from day to evening is one of my favourite times to photograph; the stillness of the outer west makes you pause and reflect on just how much infrastructure is required to sustain the concentrated population closer to the city’s centre. For most of us, this vast logistical framework remains invisible, yet it is essential to the way we live and work every day.

From a technical standpoint, photographing warehouses of this scale demands careful attention to form and structure. These buildings are geometric and monumental, so framing becomes about emphasising clean lines, proportions, and the relationship between the built form and the surrounding landscape. Light is another critical consideration — harsh midday sun can flatten the details, while late afternoon and evening light adds dimension and mood. Managing exposure is also key: balancing shadow and highlight to preserve detail across such expansive façades.

I enjoy photographing these structures which are neither decorative nor ornamental. They embody purpose, efficiency and scale – qualities that, when seen through the lens, reveal their own quiet beauty.

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Charles Cooper exhibits at Annandale Galleries

I have been shooting the work of Charles Cooper over many years and more recently a new collection which he is about to show at Annandale Galleries. Charles is a seasoned mid-career Australian artist with an impressive exhibition history.

“Geographics 2025” – Charles Cooper at Annandale Galleries
Exhibition Dates: 17 September – 18 October 2025
Venue: Annandale Galleries, 110 Trafalgar Street, Annandale, Sydney Charles Cooper

Cooper returns to Annandale Galleries for his third solo exhibition at the space, following the notable On Location show in 2022 Annandale Galleries – Charles Cooper.

Geographics 2025 is Cooper’s latest body of work explores the tension between urban order and natural entropy. His paintings turn the everyday cracks and repair lines of city roads into compelling studies of texture, colour, and abstraction. As curator Andrew Christie writes, Cooper “plants the seed of perception” — drawing viewers close to appreciate minute detail before inviting them to step back, revealing subtly modulated abstractions that pulse within everyday surfaces.

Born in Sydney in 1952, Cooper has built a distinguished career of solo and group exhibitions both nationally and internationally, while also teaching drawing at the National Art School Annandale GalleriesAnnandale GalleriesMutualArt.

Online catalogue https://online.fliphtml5.com/lnjye/qbes/

All enquires to: info@annandalegalleries.com.au

Here’s a few images from the opening night…..

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ACON celebrates 40 years

This year marks the 40th anniversary of ACON, an organisation that has been at the forefront of health, wellbeing and advocacy for LGBTQ+ communities in NSW. From its beginnings in 1985 as a response to the HIV/AIDS crisis, ACON has grown into a vital service provider, supporting people across diverse communities through health programs, harm reduction initiatives, campaigns, and community-building projects.

For four decades, ACON has stood as a fierce advocate, fighting stigma, breaking down barriers, and championing equality. Their work has not only saved lives, but also shaped a more inclusive society.

On a personal note, I recently had the privilege of visiting ACON’s offices to photograph a group of members and volunteers for a special cover image for the Sydney Star Observer. It was inspiring to meet and capture some of the faces who embody the organisation’s history and spirit. Being behind the camera in that moment reminded me how deeply ACON’s work has touched so many lives, and how vital their ongoing presence remains.

As we celebrate this milestone, it is an opportunity to reflect on the resilience of our communities, to acknowledge the countless individuals who have contributed to ACON’s journey, and to look ahead with gratitude and hope. Here’s to 40 years of care, courage, and change.

For more information on various events aligned to ACON’s 40th anniversary click on this link:

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Shooting the work of Serg from Prestige Plus

One of my July projects was to photograph a series of stunning interior and exterior residential projects for Prestige Plus, a Sydney‑based company specialised in the manufacture and installation of premium double‑ and triple‑glazed windows and doors. 

This assignment was particularly engaging for me as I focused on capturing the quality and beauty of the glass structures installed by Serg and his team. The work was at high‑end residences featuring large picture windows, sliding doors, bi‑fold systems, and custom configurations, allowing light to pour in while maintaining a sleek, modern aesthetic.

Inside the homes, the precision workmanship of the Prestige Plus team was evident: seamless frames, strong clean lines, and reflective surfaces that played beautifully with natural light. Outside, I documented how the installations enhanced the architectural form—highlighting courtyard glazing, expansive views, and the way the glass connected interiors with the outdoors.

For me each project was an adventure into another world … I would travel to areas of Sydney that I rarely visit such as the beautiful Cottage Point and also Grasmere. I would then lose myself in the task of working with angles, perspectives, light and other variables, to create striking images for my client.

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The Hayes Theatre Company prepares for it’s 2006 season

Pictured: Steven Kramer (Writer of Phar Lap), Justin Smith (Cast of Phar Lap), Joel Granger (Cast of Phar Lap) and Sheridan Harbridge (Director of Phar Lap)

Together with various actors, writers, directors and costumers, I recently hosted a series of photo-shoots at my studio for the Hayes Theatre Company, in preparation for their 2026 season. The sessions involved still photographs of various cast members and video production of the actors and crew, filminging light-hearted, voice-to-camera interviews. We also created some grabs of slow-mo action for future marketing content.

Kayla French (marketing) commits herself to creating content with Joel Granger (Cast of Phar Lap)
Richard Carroll (Artistic Director) checks in with Billie and John (Cast Members)
Billie (Cast) in makeup with Ashleigh Grace (MUA)
Final social media images are captured before stepping on set.
Rica Canillas (Marketing, left) working hard with Kayla French (Marketing, right)
Sam Hernandez (Costuming, left), together with Richard (Director, right) adjust Billie’s costume

While the video cameras rolled, I also took the opportunity to capture some out-takes of the working process with my own camera. There was a vibrant and creative mood on set, with the team from Hayes Theatre Company bringing incredible energy to the studio. Moments like these are a powerful reminder of just how much collaborative effort goes into producing a theatrical season, with the contributions of so many talented individuals coming together behind the scenes.

Sam Hernandez (Wardrobe/Stylist) makes final adjustments to Billie Palin’s costume on set.
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Hearts For Eternity

As a photographer, sometimes I am given an opportunity to witness and record moments of great resilience and human spirit. This was the case when I was commissioned to photograph the Hearts for Eternity event hosted by the Heart Research Institute at the Langham Hotel, Sydney in early July. The Institute is dedicated to funding life-saving research into heart health, supporting projects that aim to improve the lives of patients and to advance medical understanding in the field.

The afternoon took the form of a traditional high tea, accompanied by beautiful chamber music. Guests heard from Dr Christopher Stanley, leader of the Microvascular Research Centre, who spoke about his team’s ground-breaking work. Their research investigates the dangerous drop in blood pressure that occurs during septic shock. From the perspective of the patient, Jessica Lines, mother of young Ryan, recounted what her family endured when Ryan’s health was in serious danger, sharing their heartfelt story.

Dr Christopher Stanley giving his address to the participants
Jessica with Ryan

It was a privilege to capture such an important event—one that not only raises awareness and support for vital research but also celebrates the lives touched by the Heart Research Institute’s work.

Ryan Lines – on his way to support his mother at “Hearts For Eternity”
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Roberts & Co upgrades infrastructure at Cumberland High School

A recent commission was to photograph the completion of the latest stage of the development at Cumberland High School, by Roberts & Co. The project has delivered a series of new buildings and classrooms designed to provide state-of-the-art teaching facilities for students and staff.

The contemporary architecture, light-filled spaces, and innovative layouts reflect a strong focus on creating inspiring environments for learning. My aim was to capture the scale and detail of the design, from the expansive communal areas to the thoughtfully planned classrooms.

Projects like this demonstrate how modern educational spaces can foster creativity.  I am always reminded that things weren’t quite so spiffy and high-tech when I was attending my local high school in country Victoria. I could not have imagined how different school life would be in the contemporary setting of young students today –  with computers, internet, social media – all the bells and whistles of current technology. It was certainly a simpler time for me.

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Portraits in Rome: Emily Jacir

Emily Jacir, Rome, 2016

While visiting Rome in 2016, I had the opportunity to photograph acclaimed Palestinian artist and film maker Emily Jacir during an intimate and memorable portrait session. Known for her poignant and politically charged works, Jacir’s practice explores themes of displacement, resistance, memory, and the Palestinian experience, often weaving personal narratives with broader socio-political commentary.

One of Emily’s works is currently being exhibited as part of HOME 25: Invisible Cities, a roving exhibition presented across multiple venues throughout central Dandenong in Victoria. The show explores how the idea of “home” shapes our sense of identity, belonging, and dislocation—a theme that resonates deeply with Jacir’s body of work. It’s a pleasure to see a portrait from our photo session in Rome also being used by Greater Dandenong for their exhibition.

Jacir has exhibited internationally, with major works shown at the Venice Biennale (where she won a Golden Lion in 2007), the Whitney Museum, and MoMA in New York. Her work crosses media—film, photography, installation, and performance—always rooted in a strong conceptual framework and a commitment to storytelling.

She is also the Co-founder and Founding Director of Dar Yusuf Nasri Jacir for Art and Research in Bethlehem, Palestine—a vibrant and independent cultural centre housed in her family home. The space fosters exchange, experimentation, and critical dialogue among artists, researchers, and the local community.

Emily Jacir, Trastevere, 2016 – captured in one of her favourite streets

Working with Emily was an absolute pleasure. We began the shoot in the intimate interior of her Roman lodgings, where soft natural light filtered through the windows and created a quiet, thoughtful mood. From there, we moved to the rooftop terrace, where I captured Emily framed by the romantic skyline of Rome—its domes and terracotta roofs stretching into the distance. We finished in the cobbled streets of Trastevere, one of Rome’s most lively quarters. Emily led me to a narrow laneway she particularly loved, and it became one of the most memorable backdrops of our photo session. It was such a delight to collaborate with Emily in the creation of this imagery—she brought warmth, depth, and grace to every frame.

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Photographing the charismatic Donna Campbell at my Lilyfield studio

The talented and much-loved performer Donna Campbell visited my Lilyfield studio in June to produce a fresh set of promotional images. Known for her dynamic stage presence and versatility, Donna required eye-catching imagery to support several of her upcoming projects – and she brought her signature professionalism and energy to our shoot.

From the moment Donna stepped in front of the lens, it was clear I was photographing someone who truly understands how to command the camera. We began with classic headshots, capturing her natural warmth and strength. As we progressed, the session evolved into more dynamic territory, with Donna striking expressive dance poses that reflected the vitality she brings to her performances.

To finish our photographic session, we had a lot of fun creating images of Donna in her “Dolly Parton” look – a lively character she often features in her shows, tracking her career “from rags to rhinestones”. She embodies Dolly’s sparkle and charm effortlessly, and the results speak for themselves. It was a privilege to help Donna create imagery to reflect her talents as a performer.

For more information and to keep up-to-date on Donna’s upcoming performances visit her website at https://www.donnacampbell.com.au/

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A great day with the NAPWHA team in Melbourne

In June, I had the privilege of working with the team from NAPWHA  (National Association of People Living with HIV Australia) on a shoot held at Sun Studios in South Melbourne. The session brought together a group of generous and inspiring community members, who volunteered to be models for the day.

The shoot was part of a broader initiative to create a fresh library of imagery for upcoming educational and awareness campaigns.

Shooting at Sun Studios, Sth Melbourne
Ready for the close-up

It was a day filled with energy, purpose, and connection. I’m proud to have played a role in capturing content that will help support NAPWHA’s ongoing work and advocacy. My thanks to everyone involved — especially those who so bravely and openly stood in front of the lens.

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Ned’s renovation progresses

In a previous blog in November 2022, I featured the renovation of the downstairs section of a Melbourne home owned by my friend Ned. (See the link: https://www.johnmcrae.com/neds-place/) Well, Ned is at it again – this time turning his attention to the upstairs area. The transformation continues at this solid, 70s-inspired brick house, tucked away in the charming inner-west suburb of Yarraville.

Pic: from previous downstairs renovation of the kitchen area

This free-standing residence has always had great bones – solid construction, generous proportions, and an unmistakable retro flair. When Ned tackled the downstairs areas last year, he focused on bringing in light, opening up the layout, and adding clean, contemporary touches without losing the character of the home. The results are warm, modern, and inviting.

Ned pictured with his sister, Jacquie, at the front of the Yarraville house.

Now, with the upstairs overhaul complete, the story continues. Once again, Ned teamed up with the likeable and ever-reliable Ali from Featurepoint Constructions – the same builder who brought such care and craftsmanship to the previous stage of the renovation. Ali’s steady hand and eye for detail helps Ned’s vision to materialise, ensuring that the upstairs work matches the quality and style of what had already been achieved downstairs.

Here’s a snapshot of what’s been updated:

  • Bedrooms were reimagined including re-invigorated, clever storage solutions, and a lighter palette that makes the most of natural light.
  • The bathroom received a full makeover, with sleek new fixtures, a more efficient layout, and understated tiling to blend functionality with style.
  • Hallways and common areas were decluttered and refreshed, creating a more cohesive and streamlined flow throughout the space.

Ali and his team at Feature Point Constructions kept things running smoothly, with a hands-on approach and genuine attention to the details that make all the difference. The result? An upstairs space that feels calm, cohesive, and contemporary, crafted with the highest of standards.

Scroll down to check out some of the before-and-after shots. It’s always amazing to see how clever changes – both big and small – can breathe new life into a space.

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Walking the walk with Glynis Trail-Nash: “In These Shoes” heads to Edinburgh

Back in 2022, I had the pleasure of collaborating with the fabulous Glynis Trail-Nash to create a suite of imagery for her debut cabaret show, In These Shoes. A fashion journalist with a razor-sharp wit and a killer sense of style, Glynis was stepping into the spotlight with a cabaret about shoes, identity, and the unexpected turns life can take.

Our photo shoot captured Glynis in full stride—glamorous, cheeky, and unapologetically herself. It was clear from the start that this show had legs (and heels!) to go far. I am very happy and proud that she is representing the best of Australian culture internationally.

Glynis in makeup at the studio
Shoes on display

Fast-forward to 2025, and In These Shoes is hitting the international stage at this year’s Edinburgh Comedy Festival. Through sheer determination—and a wonderfully successful crowdfunding campaign—Glynis is taking her show to one of the biggest comedy platforms in the world.

It’s always a joy to see creative work evolve, and I’m thrilled that the images we created together are still helping Glynis to tell her story. If you’re heading to Edinburgh in July/August, don’t miss the chance to see In These Shoes – a smart, stylish, and sharply observed cabaret from a woman who certainly knows how to make an entrance.

The glamorous Glynis Trail-Nash at the photoshoot at John McRae Photography
The glamorous Glynis Trail-Nash in studio