My friend, the Palestinian artist, Emily Jacir has a solo show at her Turin gallery, Galleria Peola Simondi, Italy (until 14 October, 2021). The photo based works, film and texts are her response to the ongoing conflict between the Israeli state and the Palestinian people in and around her ancestral home and artist’s studio in Bethlehem. Jacir’s house is 200 metres from the “Apartheid Wall”, the imposing security barrier which was supposedly designed to protect the Jewish Israeli population but instead serves to isolate and and antagonise Palestinian communities. As Jacir states in the text by Francesca Comisso, “the wall does not separate us from Israel, it separates us from ourselves”.
I have photographed Emily several times over the years and one of these images was used by La Repubblica newspaper in the review of her current show at Galleria Peola Simondi.
At the lofty heights on the 22nd floor of the Multiplex headquarters in King Street in Sydney, I spent the day photographing the diverse and cheerful team of this global construction company.
The idea was to capture how individual personalities can shine through in a standardised corporate pose. My challenge is to portray each person as interesting and engaging in their own unique way. For me it is really cool… not many assignments give me the opportunity to interact with so many different people over the course of a single day.
Pigment inkjet on cotton rag, 112cm x 78cm, Edition of 9, (2AP)
Since 2008, every year I have taken an “official” annual portrait photograph of Matthew Mitcham, Australia’s gold-medal Olympic diver, award-winning cabaret performer and television entertainer, in my studio in Sydney.
Facing the camera with a direct, unflinching manner, each consecutive portrait is added to the growing series of similar portraits, which commenced when Matthew was only 20 years old, before his rise to Olympic fame.
Each portrait is taken under similar conditions, plotting the changes in his physical appearance and growing self-assurance. This particular 2020 portrait marks a bumpy year for all of us, facing the pandemic. It is only fitting Matthew is masked and “Covid-safe” for this one. MMXX marks the 13th portrait and the 13th year in this ongoing series.
I thank Matt for his support in continuing this series, in allowing a very public view of his “personal time-line”. Matt married Luke just over a year ago in Belgium I was fortunate to have had the opportunity to photograph their wedding (see blog post: Matthew Mitcham Marries). They spent a good part of 2020 here in Australia but only a few days ago Matt and Luke have left our shores for the UK.
It’s half way through the year already and I have no idea where the time has gone.
I am embracing the fact that there is only 6 months to go until Santa comes again and looking forward to the next 6 months of interesting challenges and achievements.
Here’s a quick summary of some of the highlights from the month of June…..
George Michael – Listen to your heart
I was asked to cover the George Michael tribute concert at the Opera House Concert Hall on Sunday 8 June. It was truly fabulous. I mean you can’t go wrong with a 35 piece orchestra, some of Australia’s best voices and the classic beauty of George Michael’s exquisite writing. Casey Donovan, Rob Mills, Hugh Sheridan, Andrew De Silva, Bobby Fox and Sheldon Riley were lead by the orchestra leader, John Foreman. The crowd was as diverse as George’s musical career, spanning all age groups and demographics. They were united in their enjoyment of what was coming from the stage. Here are a few pics….
James Squires Landing
I enjoyed shooting for Xenia Contructions at the Passenger Terminal at Circular Quay. What a superb locaton. I shot in the early morning to catch the best light and avoid some of the foot traffic in that area. Seeing the sun rise over the Opera House was golden. Vivid was on at the time, so I managed to get a few shots with the Vivid light show in the background. Here are some examples.
Trevor Ashley smashes it again!
I love working with this talented and intelligent artist. Trevor Ashley is well known in the entertainment industry for his many portrayals of famous woman such as Liza Minelli and Shirley Bassey, musical theatre roles such as Miss Understanding in the original cast of Priscilla, Queen of the desert and Edna Turnblad in Hairspray, Thernadier in Les Miserables, many cabaret performances….and heaps of other things…if you want a better bio, head to wikipedia and search Trevor Ashley. I can’t do him justice here.
I have shot many incarnations of Trevor over the years….I love working with him because he makes things seem easy. They are only easy because this man is a conceptual genius and enjoys what he does.
You know you’re in for a fun shoot when you have Rhonda Burchmore and Lara Mulcahy (mega-stars and mega-nice people) coming to the studio to work on a few new shots for their brilliant show, Abba-solutely Fabulous.
We originally met last year to shoot for this new show (Rhonda and Lara were both in the original cast of Mamma Mia)….and now it has become bigger than Ben Hur, packed houses all over Australia, and they need more images to continue the promotion machine.
Apparently the show is fabulously funny and entertaining and I am looking forward to seeing it when it next comes to Sydney. Have a look at the programming and see if they are appearing near you, because I know they would be delightful to see.Click here for dates etc.
Look at the “teaser” below and tell me you’re not going to have a good time with these two lovely larakins.
Shauna’s new look
I always love shooting the gorgeous Shauna Jensen…amazing vocalist with a long and impressive career in the entertainment industry….again look her up in wikipedia, Shauna Jensen for the full bio….or go and see her next performance.
Shauna has a new look and here’s a sneak preview from the shoot we did together, earlier this month.
I have been shooting for a group of young people who meet once a month, in an open forum, to discuss various “taboo” subjects. The images from the nights are used in their social media to promote future “Taboo Talks”. Taboo Talks are the brain child of a couple of social workers, Amirah and Kosta and have been running for a good 18 months, discussing diverse subjects, frrom domestic violence to racism and everything in between. The idea is to create a safe space where people feel free to share ideas and experiences with each other on a given subject. A new topic is chosen each month and the discussion is headed and administered by nominated facilitators. If you wish to know more they have a facebook page which you are welcome to visit.
The Wild Sculptural Interpretations of Margarita Sampson – Honey Funus
I have been shooting for Margarita for some years now and I am always pleasantly surprised with what she comes up with. I know that when she rings to book photography that I am going to encounter the next wonderfully weird, beautiful and strangely animated, creature she has given birth to.
This month was no exception. I met “Honey Fungus” in all it’s glory of gaping orange deliciousness. Honey Fungus’ friend looks a bit overwhelmed, I must say. I always enjoy getting to know her little creatures as I click away. For a look at more of Margarita’s work, click here.
Hansen Yuncken together with Waterways are really stepping up the pace on the wharf up-grade roll-outs. I shot another wharf this month. The Abbotsford Wharf up-grade was opened to the public…so I ventured along the Parramatta River to an idyllic location for a ferry terminal at the end of Great North Road. I really like the design of these new wharfs….in my opinion they look slick. Here’s a few shots from the shoot….
Well there’s a few highlights from my month. Please get in touch if you have any questions or queries on firstname.lastname@example.org
The end of the year is fast approaching and I’m confronting last minute jobs to be done, absolutely before the end of the year. Rationally, I know it’s just another day….but there’s this burning urge to finish certain tasks, leaving them in the year 2014, so that I may have a clean slate to start the New Year, a fresh.
One of those matters is the annual portrait of Matthew Mitcham. I have been documenting Matthew for quite a few years now, almost 9. Wow, how time flies! At some point in the year I ask Matt to sit for a formal portrait for the purpose of adding a new image to the line up.
This portrait takes the form of a cropped head shot. It is shot in a similar fashion each year, without being clinically precise in it’s recreation as I want to leave a small margin for variation and creative interpretation. So a few days before the New Year I am releasing the 2014 version of this series (pictured below). For the whole series see the main web site under the tab, “Exhibition”.
MMXIV, 2014, Pigment inkjet on cotton rag, 112cm x 78cm, Edition of 9 (2AP)