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Producing multiple head-shots can be both a challenge and a rewarding exercise. It is challenging in the sense that you have limited time available with each subject and within that short time frame you must capture the best possible photograph of that person. Part of the task is to make the person feel relaxed and confident in front of the camera. Every photographer has his or her own individual “bag of tricks” to make sure that this happens. I enjoy this challenge as much as I like the chance to meet the many diverse human faces behind the organisation you are working for … from the personal assistants to the senior executives. You have the privilege of photographing a vast range of people, although you don’t always know their professional roles within the company . While the days can be long, they are, at the same time, invigorating.
I recently completed the task of updating head-shots and corporate portraits of Multiplex employees. It was a complex job spanning numerous days over a period of months, based on setting up a series of mobile studios in different offices in Sydney.
At the lofty heights on the 22nd floor of the Multiplex headquarters in King Street in Sydney, I spent the day photographing the diverse and cheerful team of this global construction company.
The idea was to capture how individual personalities can shine through in a standardised corporate pose. My challenge is to portray each person as interesting and engaging in their own unique way. For me it is really cool… not many assignments give me the opportunity to interact with so many different people over the course of a single day.
I arrived at the 38th floor of Tower III at Barangaroo, the Sydney offices of the international consulting group KPMG. I had been asked to take corporate portraits of the team. These shots are being used as part of an upcoming tender for a project. The look was for an uncomplicated and clear representation of the people involved.
We set up the shoot in one of the many meeting rooms at KPMG offices. We constructed a white paper background and set up two strobe lights to photograph each person, under the competent guidance of Emma (Senior Personal Assistant) who managed the logistics of the shoot. It was hard not to be distracted by the amazing view from the window.